Deadly sins The seven deadly sins are renowned for a reason, which is that just one of them can drive a person insane. Greed and envy together can lead a person into doing immoral and unjustified deeds. In the play "Hamlet" by William Shakespeare, Claudius is the villain who contradicts Knight's The Embassy of Death because Claudius's actions and behavior result from his innate greed for wealth and envy of true love that his brother King Hamlet had; on the other hand, Knight views that his actions were forced upon him due to Hamlet's unstable mentality. (wrap up the thesis statement, condense to the main point. You don't need to make a comparison, but pick which view you agree with, Knight or Shakespeare's, or make it into 2 separate sentences.
Madness in Hamlet and King Lear The subject of madness is a major theme in two of Shakespeare’s most well-known tragedies, “Hamlet” and “King Lear”. In both of these plays, a character feigns insanity to carry out a motive - Hamlet and Edgar respectively. However, while it is made quite clear to the audience that Edgar is only pretending to be a mad beggar (“Whiles I may escape I will preserve myself, and am bethought to take the basest and most poorest shape that ever penury, in contempt of man brought near to beast”), it is somewhat less clear whether Hamlet has crossed the line and lost control of his “antic disposition”. Shakespeare gives evidence which suggests that Hamlet is sane by having three other men also witness the manifestation of the ghost of Hamlet’s father. If Hamlet were to have seen his father’s ghost by himself, there would be a greater argument for him being insane from the outset of the play.
In the play Hamlet acts mad. He is not crazy however but is merely pretending to be. Before he begins this act he tells Horatio and Marcellus what he is about to do. Polonius notices that there is too much sense in Hamlets charade for him to be truly crazy. Hamlet makes sure his uncle is guilty of murder before enacting his revenge.
THE DOWNFALL OF OTHELLO AS CAUSED BY IAGO Iago is one of Shakespeare s most intriguing and credible villains. Iago can be perceived as either evil or brilliant in his plans to be deemed lieutenant. As the villain in Othello , Iago has two main actions: to plot and to deceive. Iago is mad that Cassio was chosen to be lieutenant instead of himself. From this anger comes the main conflict of the play.
But the motive is usually to seek vengeance of some sort. The vengeance may be toward someone who has done us wrong or who we have had a long burning hatred towards. In Shakespeare's play Hamlet, and the musical Sweeney Todd: The Demon Barber of Fleet Street; both main characters pretend to be someone else. In Hamlet, Hamlet is wanting revenge for his fathers death. He pretends to be crazy and fools everyone.
On the hand, there lies Claudius. The reader has just learned that he was willing to kill his own brother to become king. Murder is a horrible thing, but killing your own brother for your own selfish needs is far beyond horrible. When learning this, in combination with feel bad for Hamlet, the reader is left hating Claudius for what he has done. Additionally, this is a very important scene in the play.
“To be or not to be, that is the question; whether’ tis nobler in the mind to suffer...” (Shakespeare Act 3, Scene 1). This quotation proves Hamlet becomes inferior to others and the environment through his madness, causing him to express himself explicitly towards others. Hamlet’s madness not only causes his loved ones lives but it allows his “end” to come because he accepts every challenge from his opponent. Hamlet’s madness not only affects him but Ophelia, who is mentally torn apart by Hamlet. Ophelia was once flawless, but since her encounter with Hamlet she has fallen into the same madness and wants to kill herself.
Furthermore, Shakespeare exhibits how Hamlet chose to devise a plan of acting mad, rather than avenging his father’s death immediately, progressing to his demise. On the other hand, Hamlet questions the appearance of his father: “The spirit that I have seen may be the devil”(II.ii.610,611). Consequently, Shakespeare conveys that Hamlet’s indecisiveness about his father’s murderer necessitates him to procrastinate more, and lead further to his death. However, Hamlet accomplishes the opportunity to murder Claudius, yet believes it is not the right time: “Up, sword, and know thou a more horrid hent”(III.iii.91). In fact, he desires that “...his soul may be damned and black as hell”(III.iii.97).
In consideration of this, Brutus appears increasingly benighted as he attempts to exonerate himself of guilt during the time preceding Caesar’s death. Brutus’ ignorance would lead us to believe that ambition is a capital crime. All through this play, the villainous act of murder is portrayed as mercy killing, while Caesar is sacrificed for the sake of his aspiration to control Rome. In conclusion, the
Deception is an essential element of Shakespearean drama, whether it be tragedy, history, or comedy. The deception can be destructive or benign; it can be practiced on others or, just as likely, self-inflicted. On occasion deception becomes the very foundation of a play, as is the case with Twelfth Night, Othello, and, most notably, Hamlet. The following introduction to the many instances of deception in Hamlet will help you plan your own essay on the broader topic of how this important theme relates to the play on the whole. Hamlet 1) Hamlet's madness is an act of deception, concocted to draw attention away from his suspicious activities as he tries to gather evidence against Claudius.