Who’s Really to Blame? In the story, “Where Are You Going, Where Have You Been?”, Connie the main character is considered as a self centered person who only cares about herself. She only has concerns about her looks and flirting with the older boys she meets. Connie knows about her looks and always make sure she looks her best. She prefers to spend more time with herself than with her family because of this she has a weak relationship with her parents.
She is first perceived as a weak character who Iago says keeps many thoughts to herself: "She puts her tongue a little in her heart," meaning that many of her most critical thoughts remain unsaid. Even Desdemona has to encourage her to speak. This silence throughout much of the play may be one cause of her drastically changing at the end. Initially Emilia sets out to please Iago without question, as this was her role as an Elizabethan wife, however at the end she speaks against him when she realizes his true intentions. Her change at the end of the play could show that she’s isn’t an outsider, as she now has her own opinion and her own voice like many of the other characters within the play.
Hamlet – a 'noble' man? ACT 1 • GOOD Inspires devotion in his friends and subjects – Horatio & Marcellus follow Hamlet & are determined to protect him. BAD “I have that within which passes show, these but the trappings & the suits of woe” • Loyalty to his father's memory • Disgust at his mother & uncle's immorality “a beast that wants discourse of reason would have mourned longer” /// “oh most wicked speed, to post with such dexterity to incestuous sheets” • Remains respectful to Gertrude “I shall in all my best obey you madam” /// “It is not nor it cannot come to good, but break my heart for I must hold my tongue” [1st soliloquy – scene 2] • Certain that evil does not go unpunished on this earth “Foul deeds will rise, though all the earth o'erwhelm them, to men's eyes” “My lord he hath importuned me with love in honourable fashion” [Ophelia to Polonius] • Love for Ophelia is pure “It is a custom more honoured in the breach than the observance” • Disapproves of excessive drinking • Brave: willing to risk God's wrath to speak to his father one more time “I'll speak to it though hell itself should gape and bid me hold my peace” Is this evidence that Hamlet is good? Already we see that it is possible to corrupt Hamlet – he will risk doing the 'wrong' thing if it means easing his grief & psychological suffering. His actions in speaking to the ghost show extreme bravery (it could be the devil in disguise) but also a disregard for his own safety because he is already experiencing suicidal despair “I do not set my life at a pin's fee” and does not care if he lives or dies.
Since during the novella Curley’s wife is constantly bullied and segregated which drives her to having to flirt with the men since it is the only way she can get anyone to talk to her so she deserves to live a life free from loneliness and sorrow and to live her dream. George in one way gets what he deserves since that he is freed from constantly having to watch out for and look after Lennie so he can live his life how he wants with no distractions. However, he does lose his best friend and only companion which is grave since now he has no one to share his lifelong dream with. Lennie deserves a better a more full life where his dream of petting rabbits comes true and that he is forced to be valiant by George and occidentally kills Curley’s
Ashley was so confused that the only thing she could think of to say was yes, when she should have said no! Ashley became their friend but she never got why they wanted to be her friend. The mean girls were totally the antithesis of her; they were really preppy and wore expensive name brand clothing, and Ashley was not preppy and did not have much money. Everyday Ashley wished she could just ascend to a higher stage in her life but she couldn’t. Both of Ashley’s parents were normally austere.
Nora is the most admirable character in the whole play. Back in the day when it takes place, it was unthinkable that a woman could leave her husband to obtain freedom. However, Nora had the courage to take the step forward and abandon the man she no longer loved. She chose to support herself and educate herself to be a better person. The marriage between her and Torvald was not a true marriage; they never understood each other and never talked about serious matters.
Like Cinderella Jane is a poor, unfortunate girl when growing up. Unlike Cinderella though, she was never known for her beauty; yet Mr. Rochester fell deeply in love with her. Despite the fact that she wasn’t beautiful, she had another trait that intrigued Mr. Rochester: her intelligence. When Miss Ingram was visiting Mr. Rochester for a period of time at his home entertaining him Jane notes how beautiful she is, but instead of becoming jealous she pities her. She states, “She had a fine person, many brilliant attainments; but her mind was poor, her heart barren by nature” (Brontë 1.239).
She never leaves her house, mostly because her husband is afraid of the way people talk. It really is not her fault she was the way she was; it is mostly Torvald's fault for spoiling her. Nora relies on Torvald for everything much like a puppet that is dependent on its puppet master for all of its actions. The beginning of the story depicts Nora as a woman who is totally submissive and subservient to her husband. She seems too fragile and weak to make any decisions on her own.
Christine Linde for instance. This woman is much more independent than the other women at the time. She is not subsidiary on children or a husband (any more), whereas Nora still is. Christine has disdainful feelings towards Nora, as she recognizes how much her friend needs to be taken care of whereas she perfectly knows how to take care of herself. During their first conversation in the play, Mrs. Linde even literally tells her: “You’re a child, Nora.” Torvald Helmer, Nora’s possessive partner, is however not a stranger to himself as he fits into the conventional idea of what a man should be like in society.
Just like any other artist who wishes to make a living out of their talent, Shakespeare knew that he had to attract and satisfy his audiences by creating stories that “hit home” with them. He had to do so by creating plots, themes and motives that the Elizabethans could understand. The effects of Shakespeare’s Hamlet were caused by the Elizabethan culture’s portrayal of women, philosophy and religion which is evident in the following passage from the seventh scene of the fourth act; Too much of water hast thou, poor Ophelia, And therefore I forbid my tears; but yet It is our trick; nature her custom holds, Let shame say what it will. When these are gone, The woman will be out. Adieu, my lord.