Stream of Consciousness: One of the most commonly used literary element in The Adventures of Huckleberry Finn is the stream of consciousness. Stream of consciousness is the portrayal of an individual's point of view and their thought process. Huckleberry Finn narrates the novel, and he often interjects his thoughts on the events. The story is told exclusively from Huck's perspective, and every instance is seen through his eyes. Since the story is told in past tense, Huckleberry Finn's stream of consciousness does not always strictly stick to the events at hand, and he often skips over many days to get to the next part of his tale.
Tess Dorsey 2-3 pg. Essay The Great Gatsby What is it to be a great writer? Is it to simply have a great story…or is there more? To be a truly effective writer or even just a simple story teller; you need substance. A sense of being that will draw the reader or listener in, as if they themselves were in the story, helping them to feel the surroundings of the character within the pages of the book.
Comparable to the beginning of the novel McEwan immediately dives into the plot with the objective being to captivating the reader, he starts the novel with the sentence “The beginning is simple to mark”, and by using the word ‘beginning’ it leaves the reader to suggest that an important event is going to take place. This sentence is used to create suspense that leads the reader to carry on out of curiosity and uncertainty, the short length of the sentence conveys a bluntness which leaves more emotional impact. Ironically the narrator, who is also the protagonist: Joe, claims the beginning of the story to be ‘simple’ yet his frequent digression and evading of the topic makes it seem far from. This is another device McEwan uses, Joe's tendencies to have his thoughts diverted elsewhere lengthens the narrative, essentially building up tension for the readers. McEwan uses the narrator’s euphemistic persona to build tension demonstrated through the way he withholds vital information with the use of euphemisms, “saw the danger”, “running towards it”, the narrator intentionally omits what the situation is by identifying it as “the danger” or “it”.
ALLUSIONS IN FAHRENHEIT 451 Literary allusions often are used to relate a novel to various other pieces of literary work. Ray Bradbury used a multitude of literary allusions to enrich the plotline of Fahrenheit 451. These references provided subtle hints of depth in the novel to the reader. Some allusions helped the novel by adding to the plot, providing a relatable experience to the reader, referencing familiar stories and fables, and giving characters and settings that special something called an “it factor” that the reader could find special. Some allusions, however, were harmful to the plot or to the reader, most often by confusing the reader if they did not know the context of the original quotation.
Intention is used commonly and very clear in this novel. The author uses a lot of rhetorical questions to get the reader thinking. He lures in the reader with a lot of dramatic irony to get the reader thinking. His intention is for the reader to keep flipping the pages in order to figure out the true ending to the story. In the story the writer begins it with a causal story line, he later follows it with very elusive and interesting concepts to help build the story up to its climax.
Hoang 01 Lisa Hoang 124/01 Mrs.Maccherone Poe, the Father of Mystery Stories, uses many literary devices to create a specific mood to present the story smoothly. Growing up, Poe felt lonely and a sense of loss. Because of growing up with those emotions, Poe’s works are full of horror, mystery, and fear. Throughout the story of Fall House of Usher, a creepy feeling is maintained from the beginning to the end. Poe’s usage of literary devices and choice of words are what use to maintain the creepy feeling.
Perhaps the most engaging and stimulating technique Bierce uses in his story is the blending of fantasy-imagination and reality – the mixing of the external world, with a future consisting of only death, with Farquhar’s internal world, which cries out for life. Although it might seem like Bierce wrote this story to ultimately play a “trick” on the reader at the end, for providing a lack of distinction between the two worlds, it is apparent that Farquhar’s death is noticeable throughout the tale if the reader is able to pay attention to the clues and focus
Imagery in Fiction Writing Authors often use imagery as a powerful tool for describing and delivering their main point in fiction writing. Imagery can hint at an underlying meaning, let the reader know character traits, describe the setting, and has a host of other uses. As such it is one of the most important literary devices. Two excellent examples of how to use imagery properly are Kate Chopin’s “Desiree’s Baby” and Raymond Carver’s “Cathedral”. In both of these stories the authors use imagery to help drive home their main points, although in a somewhat different manner.
But these characters were no accident. They may not seem like they have significance to the story but in reality the author strategically used them in The Great Gatsby for adding to the plot, creating new and ongoing themes, and supporting the main characters. Myrtle Wilson’s presence in the novel builds all the way until the end of the story with the climax. Myrtle’s impact on the novel has the most effect on the story out of the other minor characters. It all starts with Myrtles lies and her affair.
To access the thoughts and feelings of the main actors in the novel is to vicariously experience their passions and so their narratives stand out against the more objective narratives of Lockwood and Nelly as well as offering more potential for discussion with other readers who may feel more sympathy for some characters than others. Lockwood is the main narrator who introduces us to the characters of Wuthering Heights - his entrance to the house is the point at which the reader also crosses the threshold and it is his thoughts we read at the very end. This narrative ‘framing’ effect neatly encapsulates the story and provides an element of objectivity in contrast to the testimonies of the more passionate main characters. Even when it is apparent his welcome is not as warm as he had expected, he continually demonstrates good manners and his educated language is notable and in stark contrast with the nearly incomprehensible local dialect of Joseph upon whom he comments; ‘I charitably conjectured he must have need of divine aid to digest his dinner’ (Bronte, 1847, p.4) When considered