He is nervous yet scared and disgusted at the out come of his long toil. The author shows this with the quote “with an anxiety that almost amounted to agony”, again this really brings out the gothic image using pain and suffering to make sure the reader realises the full extent of the horror that Frankenstein has unleashed on the quite country around him. When the creature is finally brought to life Frankenstein’s
Shelley portrays the desire of knowledge as lust which, if left unhindered, can drive a man to peril. Although Frankenstein's initial intentions were to exceed the boundaries of science the over ambitious nature led him to be 'hidden in darkness' and 'locked up from nature' leading the monster to Frankenstein's peril. A feature of the gothic genre is Victor's psychotic nature which emphasizes the dark side of the human psyche in emotional and physical form. Some critics such as Rebecca Wallis have argued that the 'dark Sid elf the human psyche' can be found within victor's sexuality. The point in the novel which this critic focuses on is the moment before intercourse between Victor and Elizabeth when Victor states ' this night is dreadful, very dreadful'.
Mary Shelley uses many language devices to portray conflict in the novel Frankenstein. In chapter 5, Mary Shelley uses alliteration to convey to the reader the emotional conflict the monster is forced to face. Victor finally finishes his creation and observes its appearance: “I beheld the wretch -- the miserable monster who I created”. This suggests to the reader that Victor is not pleased with his creation as he calls him a “monster”; the word “monster” makes the reader visualize a horrendous, spine-chilling, eerie creation creating a dark ambience. Furthermore, the author uses feelings to describe the monster.
Victor lived in a gothic area, Europe – Switzerland and Germany with old buildings, dungeons, towers, dark laboratories. It sure was an element of mystery and gloom. Shelley had Frankenstein wandering the streets of Ingolstadt and the Orkney Islands looking for body parts. That is awful and revolting. In preparation for his monstrous experiment Victor scours charnel houses, places for vivisection and graveyards, for these parts needed to create his new Adam or modern Prometheus, which is the novels subtitle.
Love, hate, revenge, and murder. All of these themes impact the way a book can be read and will be read. Frankenstein is a novel that is full of devices that constantly make reader question the entire motive for characters. It features dynamic characters, who exhibit their humanity in the most exciting ways. They exhibit humanity, by loving each other, hating the monster, the monster murdering his creator’s friend and loved ones, and Frankenstein path to avenge the loss of his family to the monster.
Domestic affection is the sense of belonging and love one feels when people are accepted by family and friends. Shelly believes that when people loses this affection they begin to make immoral decisions and lose their sense of humanity, and this is when they become truly monstrous. When Frankenstein is read from this perspective, the creature isn’t the only monster in the story. Robert Walton, captain of the ship, also has the potential to be monstrous, and so too do victor, the general population, and the social institutions within the world of Frankenstien. Through the actions committed in the play, Victor Frankenstein becomes one of the most monstrous characters in the story.
The blood flowing down Dracula's chin depicts him as a monster and he's fed himself to an excess, showing greed, lust for blood, the desire for blood, and paints him as overly sated. He is linked to hell through the word "malice" and reinforces that Dracula is evil; Stoker again suggests that Dracula has supernatural powers through his ability to paralyse Harker just by looking at
To the reader, it seems that Shelly consistently reminds us of the lack of responsibility on the part of Frankenstein, and the monster’s inherent innocence, who is only made evil by his circumstances. But like the reader, Shelley too, is unclear about whose behaviour is most unjustifiable and unpardonable. With reference to David Punter’s essay “Gothic and Romanticism”, Victor Frankenstein can be compared to the ‘Wanderer’, the Wanderer’s essential characteristics being that he is hero and victim both, who defies God by crossing the laws of mortality and dares to touch the untouchable. The Wanderer is never satisfied with the restrictions placed on him by an ordered society, and he ultimately suffers for his disobedience. Victor clearly fits the description of the Wanderer, as his obsessive need to create life and be its sole creator has a hint of an unnatural desperation to satisfy his ego and attain gratitude.
Victor’s distant and cold language reveals his overwhelming hubris and reflects the conflation of scientific and Romantic paradigms. Frankenstein clearly created the monster
Both the creature and Victor revenge on each other. Though separate beings, the creature and Victor share a relationship of complicated dimensions: that of nobility born of suffering, that of creator/created, and that of enforced loneliness. The Creature and Victor’s creator-created relationship, the creature’s nobleness and loneliness forms their relationship. Victor’s responsibility of the creature becomes significant when the creature begins to wreak havoc. At first, Victor sees the creature as an amazing breakthrough created by defiance nature, but soon after the creature’s creation, he realizes how truly awful the creature is and rejects him.