These finds allow historians and archaeologists to build a picture on the lifestyle and society in Bronze Age Thera. Numerous finds on the island of Thera display evidence that Minoan influence impacted greatly on Theran society. For instance, art styles in the Minoan region were often geometric and/or linear in pattern, and various items of pottery on Thera display this particular art form, suggesting that pottery and art on the island was influenced by that of Crete. Another aspect to this theory is the Linear A script found on broken Theran pottery and the shoulder of a ewer – a form of writing only found on the Minoan island of Crete. Other items found show the possibility of a trade relationship with Crete, such as Minoan-style seal stones and the shells of white snails which are a delicacy on Crete.
One of the main attractions of these exhibits is two murals from the ancient Mayan city-states. During my visit to the museum, I had the chance to explore these murals. I also learned about their difference and what did the Mayan’ wanted the future generation to remember them as. Part I These murals are truly a piece of art. They definitely serve as a big resource for me to learn bit more about the Mayan civilization.
In Pompeii, much of the political, religious and economic aspects of life were shown. Many reconstructed and excavated houses display political situations such as Basilicas houses, laws and legislative documents. In houses, economy is evidently suggested through front shops and silverware, demonstrating wealth and trade from different locations, Egypt being an example. These private houses are able to present these Egyptian influences to Pompeian life through the representations of wall paintings of the Nile. Guiseppi Fiorelli was an archaeologist who created the idea of conservation through his makings of plaster casts.
Ancient Egyptians were known for their practices following death. Their stress of the afterlife and preservation of bodies are one of the main reasons we know so much about them as a people today. Upon visiting the Princeton Art Museum, the False Door of Ankh-Hathor caught my eye because of its use in tombs. False doors were a common architectural feature of the Old Kingdom (2686 BC - 2181 BC). Though there are some artistic variations among the layouts of the door, they all serve the same purpose: to help the spirit’s travel in and out of the tomb.
No matter the origin, art always conveys something about its creator, the time period it was created, and the culture from which it belongs; for example both Venus of Willendorf and the Votive figures from Tell Asmar illustrate how the Neolithic and Sumerian people respectively lived in the time from c: 25000 BC to 2700 BC. However while both of these works inherently tell something about their individual cultures, they also share many differences; as well as some additional similarities. The biggest contrast between the two pieces can be seen in their appearance, culture, and function, while they are remarkably similar when it comes to their deviation away from naturalism, focus on the human body, and form. The appearances of both Venus of willendorf and Votive figures from Tell Asmar differ in many ways. Starting with the face, Venus of Willendorf does not have any facial features, a very common trait in Paleolithic art figures.
The ancient Egyptians were unique in many ways. The art was different from most of the other civilizations and so were many of their philosophies and ways of going about their daily lives. Death, burial and the after-life certainly were not an exception to this rule. The Egyptians had a very strong consciousness of the soul and where it might go after the person attached to it passes away. They had an understanding of gods or other spirits beyond this world and felt that the human spirit had a way to transcend this world and live among them.
The experience of viewing this piece compelled me to go home and do some research on these distinct pieces. I found several websites that uncovered the history of this art work. I discovered many other pieces that I admired. The individualality of each piece make them something special. Nothing could compare to the fascination I had with the Gnathia-Ware art I encountered at the museum.
This large population created a developing society that created their own methods for accounting, writing, record keeping, government and much other advancement that was unknown to the ancient world. The society had huge developments in anatomy and architecture that still influence society today. ("HowStuffWorks "The Nile's Impact on Ancient Egypt"", n.d., p. 1) The Nile River also served as the main source of transportation. This encouraged travel and enabled trade and communication with outlying areas. The process of diffusion of the Eqyptian religion between early human societies is still apparent today.
Guanajuato's Mummy Museum Mummies of Guanajuato, Mexico are not your average mummy. What makes them unique? There are several reasons why they are rare. The number one would have to be that they weren't mummified intentionally. Their mummification was caused by extremely dry weather conditions along with an overcrowded cemetery.
The symbolism of their images was altered to enhance Augustus’ standing in Rome. Augustus’ inspirations were also considered, especially Alexander the Great who became a significant influence for Augustus as was evident through the various similarities in their seal rings, family history, and both their roles as restorers and saviors . The most predominant source for evidence of Augustus’ use of Egypt was found in Augustus’ representation of the Battle of Actium . The battle was depicted typically with a crocodile, stalks of wheat, and a bald Augustus. These actions developed the prestige of Rome