Film Reading: Amu (2005)

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Film Reading: Amu (2005) Director: Shonali Bose In the aftermath of Prime Minister Indira Gandhi’s assassination in 1984, India witnessed a massacre of greater magnitude than 9/11 – but the lay Indian knows hardly anything about it; and while remembering the 9/11 was important to the US government in the context of the “War against Terror”, remembering the 1984 anti-Sikh riots – or, rather, genocide – is dangerous to the Indian government as the episode was one of organized violence. The Indian National Congress – led by Rajiv Gandhi, Indira Gandhi’s son – was responsible for the murder of about eight thousand Sikhs. Electoral rolls were used to find Sikh families in even the most remote parts of Delhi and surrounding areas, and hardened criminals were let out of jail to kill them. The police was also roped in and instructed that not one Sikh was to survive. In response to the media’s questions about the violence, Rajiv Gandhi reportedly remarked, “When a giant tree falls, the earth shakes.” Shonali Bose’s debut film, Amu, takes its audience back to 1984 while rooting them in 2002. In doing so, it opens up the past – with all its gory details – to the present, illustrating through questions of identity and history the pervasiveness of politics in our lives. It is this theme that I wish to bring out in my essay. Protagonist Kajori Roy aka Kaju, played by Konkona Sen Sharma, is a 21-year-old Indian-American who visits her relatives in New Delhi to – as the cliché goes – “rediscover her roots”. Having been adopted by a civil rights activist at three and intent on learning more about her birth parents, she scours the slums, dhabas and streets of the city with her camera and an eagerness that does not impress Kabir (Ankur Khanna), an upper-class college student with an interest in theatre. The friction between the two characters, evident in their very first
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