“How does this add to your understanding of women’s role within society at this time?” In this passage, Curley’s Wife is confiding in Lennie. A few lines into the extract, she asks Lennie “Ain’t I got a right to talk to nobody?”- Which could show that women at this time were told what to do, and whom they were allowed to talk to by their husbands. Women at this time were seen as having a lower status than men. Obviously Curley’s Wife does not love her husband, which is delicately shown when she tells Lennie “I don’t like Curley, he’s not a nice fella.” It is noticeable that Curley’s Wife does not have a name throughout the novel. She is only addressed as “Curley’s Wife” – her real name is never said.
“Where Are You Going, Where Have You Been?” Evoked Female Identity During the 1960s in America, where phallocentrism is still ruling society, many social problems caused younger people to be unsatisfied with reality and to become rebellious. In Oates’s story, the character of Connie is affected by patriarchal oppression. Oates gives Connie an independent identity while using her mother and sister as opposite characters to reflect her uniqueness and to let the reader understand the female identity. Connie's mother and sister portray typical females under patriarchal oppression. In the case of Connie’s mother, she rejected Connie’s attitudes because it often went against the patriarchal society's code of conduct.
As a member of the American Female Moral Reform Society, Sarah Ingraham was dedicated to eliminate all prostitution in the United States. However, she did not only criticize women for being prostitutes, but felt men were equally at fault. She was the editor of The Advocate of Moral Reform, the first American newsletter which was run entirely by women. The paper often printed stories about girls who were seduced by men who later left them. The paper referred to prostitutes as sisters and Men were usually depicted as the wrongdoers.
The Discrimination against Women Identities Throughout history, female were considered lesser beings and nothing more than the property of their husband. In the short story, Blank Spaces by Joanna Cockerline, the acknowledgment of female being inferior creatures in comparison to men is highlighted. Struggle against misfortunes, Elizabeth is oppressed by the social inequality due to the fact that she is a girl. In Blank Spaces, the social inequality implied by the narrative severely impacts Elizabeth’s career hierarchy, character traits, and life experiences. Like many feminist writer, Cockerline focuses her emphasis on how social norm discriminate women by inhibit their job opportunities.
In the times John Steinbeck lived in women were not held in high regard but they were just present to serve men. However, they still tried to yearn for a better future by exploiting men. The character Curley's wife in the novel is a victim of society and her dream. She is married to Curley who neglects her and so because of her loneliness she is always seeking attention. She wears too much makeup and dresses like a "whore"
Edna Pontellier, often reflects on her role of mother-of-two who is married to a well-off and often traveling brokerage-business husband Leonce Pontellier. The community views Leonce as the ideal husband, for Leonce he adores and provides for wife and children, he is quite consistently concerned about the welfare and happiness of his household. Yet Edna does not look at Leonce as her choice of husband, she says their marriage was accidental, that as she was growing up there are particular men that came around her that she would have wished to take her hand. Leonce is disciplined, insistent and low-toned, often dissatisfied about Edna's attention to the children and other household issues, more so because he is often away on business and Edna
Two other females that had nicknames are known as a sexual need in the film because McMurphy invited them over to seduce the guard and Billy. First, women are inferior to men because they were never given a position of power. During the 1960s, woman did not have any experience with power because they still lived in a society where men are taking control. In quote, “These gender roles have been used very successfully to justify inequities, which still occur today, such as excluding women from equal access to leadership and decision – making positions” (Tyson, page 85). Males still see females as patriarchal women, not as leaders or decision makers.
Women have always been thought of as the less domineering sex. All through history females have fought the stereotypes of being simple housewives with no greater use then producing babies and maintaining a household. This repression, combined with the social systems of years past has lead woman to feel inferior and naturally acquire an internal dependency toward the males in their lives who are viewed as superior. Many notable characters in literature have carried out the role of this inferior spouse and are no doubt created from the hostility of oppression women have felt for hundreds of years. We see two of these characters in Delia from Zora Neale Hurston’s story “Sweat” and John’s wife in Charlotte Perkins Gillman’s story “The Yellow Wallpaper”.
Not only is it fair simply because she deserved the judgement that she got, but steinbeck has fairly portrayed curley’s wife to suit the time period in which the story was set. The way Curley’s wife is treated reflects how many women were treated in those days. There was very limited respect for women, especially of her description. They were the odd one’s out and possessions of their husbands. If the story were to be set at present date, his depiction would have been seen as unfair and sexist, considering women are viewed very differently today.
‘Women must creep’ (Elaine R. Hedges) illustrates the thought that women shouldn’t be heard, but do only what they’re required to do, reinforcing how women were demeaned. The lack of power women had was not only present within their marriage, but also in society as males were perceived as the more significant gender, so women were patronised and dismissed by patriarchal control. Patriarchal control is represented clearly by John, the protagonist’s husband, which increases complexity within the novel as the isolation and ‘The resting cure’ he enforces upon her, causes her mental state to degenerate further, despite John believing it is helping his wife. There are a number of methods used to increase the characters complexity in The Yellow Wallpaper. For example, the use of epistolary displays a 1st person narrative and is in the present tense, “I never used to be so sensitive.” This is present when the protagonist writes to herself, Gilman uses this technique in order to show the