These issues arise due to the question; if God is all knowing and all loving, should He not then stop suffering from happening? The subject of evil and suffering provides an inconsistency with the traditional image of God and His attributes. Someone whom acknowledged and illustrated this inconsistency is Hume, in the form of Hume’s inconsistent triad. With this Hume viewed God’s attributes; omnipotence and omni-benevolence, and that evil exists. Hume concluded that the three points are inconsistent.
Also, it’s being very selfish by asking Victor for more favours, after Victor had already given life to it. Finally, throughout the story, it constantly seeks revenge on its creator, Victor, even though it knows that that means to neglect integrity. It is dangerous and unethical to sympathize with the creature as it is dangerous, forceful and almost always infuriated with revenge. Throughout the novel, the creature
Adopting Augustine’s idea of ‘evil’, we are to say that he is not living up to standards expected of human beings. Privation may also concern itself with things not concerned with morality, such as natural evil. For example, a person may have eyesight that falls shorts of perfect eyesight – his eyesight is therefore ‘evil’. This way, God’s omnipotence is justified because evil is defined as an absence of certain qualities. Hence, it doesn’t exist.
The replicants are artificial, the memories are artificial. Technology has well and truly taken over. Akin to Frankenstein, Blade Runner acts as a severe warning to the depressing future we may have if we try to push advances of science and technology further and further beyond the limit. As before mentioned, it is the hubris of the protagonists in each text that causes the highest diminution of humanity. In both texts, both protagonists seek earnestly to become God-like by taking on the role of creator, Frankenstein with the monster, and Tyrell with the replicants.
Flaws and Fallacies In Mark Twain’s essay, “The Damned Human Race,” many flaws appear within his abundant use of analogies. One flaw stems from his use of Hasty Generalization. Twain supports this by writing that “the earl wantonly destroys what he has no use for…” which, according to Twain suggests “..that the earl was descended from the anaconda.” (Twain 28). This is a Hasty Generalization, for Twain is basing his conclusion on one result that does not represent the whole population. Since his argument is based on a common fallacy, his essay appears unreasonable and flawed.
Inhumanity and monstrosity is depicted in Frankenstein, through the characters of Victor and the creature, whom can be perceived as doppelgangers. Initially the creature is seen as physically horrifying, which is expressed through description, the hyperbole “his face was wrinkled into contortions too horrible for human eyes to behold,” but is initially benevolent until contact with civilisation transformed him into a vengeful murderer. This also evokes Rousseau’s Romantic theory of the noble savage; that man’s existence is superior amongst nature, when he is not exposed to the malicious influences of society. Towards the end of the novel, Victor is also seen to be a monster, as he did not take responsibility for his creation, which leads to his realisation, “I, not in deed, but in effect, was the true murderer.” This is also a similar case for Tyrell in Blade Runner; however, he does not feel guilt for the treatment and injustice of his replicants. “Commerce is our goal,” is his slogan, depicting his greed and inhumanity, which is reflective of the economically driven 20th century.
‘why do I yield to that suggestion whose horrid image doth unfix my hair and make my seated heart knock at my ribs against the use of nature.’ This quote tells us that Macbeth has thought up the idea of killing the king and that his ambition is growing so much it is beginning to take over his morals, and is clouding his judgment. Again Shakespeare uses the natural imagery because killing the king is the most unnatural thing you can do as he is omnipotent and it is like killing God, this shows that although Macbeth knows he is thinking of the most unnatural deed on earth he is still contemplating it as his ambition is so strong. This has a worrying effect on the audience as, if Macbeth is so easily manipulated by one thought or idea what is he capable of with other influences. This quote could also illustrate that Macbeth is weak and absent minded as he does not think about what he is doing or about what he is considering
With the death of Macbeth, William Shakespeare shows an insight of a perfect example of a classic tragic hero. Despite bending a few rules, Shakespeare illustrates that if a character is not held by fate, causes their own downfalls and realizing it was their own fault, they are what many call a tragic hero. Being a tragic hero isn’t limited to just stories or plays, but can be applied in the real world as well. Richard Nixon was thought to be a great man, but after following the same road Macbeth had taken, they both found themselves destroyed by guilt, and are now considered, “Tragic
The Obsessions of Love, Hatred and Fame Obsession comes in many forms, but it’s the obsessions with love, hatred, and fame that can make or destroy a person. Obsessions can be put to good use when used as a tool to drive a person forward to obtain a goal. But more often they become a consuming force that blinds and stifles a person’s view purpose. In Mary Shelley’s novel Frankenstein, obsession is clearly evident throughout the story with the characters Victor Frankenstein and Robert Walton. It is these obsessions of love, hate and fame that eventually destroy Frankenstein and defeats Walton.
This plot device in which an expectation is expressed, only to be dashed a moment later by a seemingly chance occurrence is a common one in the novel. It serves at least two narrative purposes. On the one hand, it fills the reader with alternating currents of hope and despair: while we long for Frankenstein to save himself, we realize that his ruin is inevitable. This inevitability is both narratives, in that the beginning of the book makes it clear that Frankenstein's destruction has already occurred and we see how the elements of Victor's personality can lead only to his own downfall. The plot device of dashed expectation also serves to suggest that the course of destiny is unalterable.