Keeping your breathing deep and steady, as your relaxed feeling flows into your stomach. Smoothing out every nerve, every cell, and every fiber of you. Any tension melts away as this total relaxation reaches your knees, calves and finally to the ends of your toes. Now your body is in a state of total relaxation you can now relax your mind. Body and mind become one, a beautiful peaceful experience.
Response to “Counting the Mad” When reading the contemporary american poetry anthology I found myself becoming almost lost in one specific poet. Donald Justice, or more specifically, one of his poems,“Counting the Mad” was a poem that was both the most enjoyable work for me to read and at the same time, the most difficult for me to understand, at first. For myself this poem could be compared to a type of riddle due to its ever apparent ambiguity. At the same time, I believe that this poem takes a satirical perspective of mankind. Justice utilizes the sound similar to that of a nursery rhyme to engage his readers.
Note that in the first half of the sentence, she seems to be viewing his character amiably. Suddenly she changes direction, and the general impression we receive about John is far more bitingly negative than a mere statement of disapproval. Thus she contains in her statement all the elements of disapproval without directly stating that he was ill-disposed. Her irony ranges from the gentle to the severe. When she speaks about Marianne, she says, "She was generous, amiable, interesting: she was everything but prudent."
These characteristics are summarised when Rita says, “I mean when he painted it do y’ think he wanted to turn people on?” Furthermore, Rita is shown to be significantly less sophisticated than Frank, when she begins discussing the literature which she has read, “I read this poem about fightin’ death…” “Ah – Dylan Thomas…” “No. Roger McGough… You probably won’t think it’s any good.” The contrast in interpretation of the same topic between Rita and Frank shows the gulf between the two of their levels of education. Significantly, Rita is aware of this gulf and exhibits a desire to do what she perceives as growing, however Frank understands the superficiality of his world and fears that Rita will not grow but simply change who she is through her journey. “… if you want to change y’ have to do it from the inside don’t y?” … “…you’re the first breath of fresh air that’s been in this room for years.” Rita shows that she understands that her journey must be an internal one, and also that she does perhaps not understand completely what this will involve and what she will have to risk, and the metaphor of fresh air highlights how Frank
Daniel at Breakfast The author of this piece of poetry contrasts the major problems in the world, which Daniel reads about in the paper, with the trivialities that Daniel is facing. It shows that it does not seem that Daniel cares very much about the global problems, but when “the coffee’s weak again”, he becomes upset. I believe Phyllis McGinley is trying to tell us that quite many people are just like Daniel. We may be very self-centered and think of ourselves first. We register all the catastrophic happenings around the world, but our own small problems are still the most important ones.
This can be seen in the poem ‘Music’ where in particular, Owen’s use of pathetic fallacy reveals to us the narrators true feelings. Therefore we are able to see that one’s emotional state of mind is projected onto his perception of his surroundings rendering music, which is an entirely subjective and state-dependent phenomenon. Accordingly, we can see this through the metaphor, “Drunk their mellow sorrows to the slake”, that alcohol is like music as it is also very state-dependent. The assonance of long and soft sounds in “mellow sorrows” may be suggesting that these soothe his pain, however could also prolong his pain as well. Owen conveys the idea that by using music and alcohol to relieve your pain is an outdated method, which we can see through the archaic diction “slake”.
This idea is taken away in the second line when Pope says that trivial things are the cause this horrible event. The diction in the first two lines goes from being broad and powerful to being small and petty. While Pope uses objects and events to directly compare important and trivial things throughout the poem, he also takes advantage of the diction to indirectly show this comparison to the reader. While the first two lines of the poem provides a small summary of the mock epic itself, it also gives you an insight into how Pope’s carefully crafted diction is the underlying foundation of this mock epic. The first canto the main character Belinda is introduced.
The techniques that Sassoon has used in the poems are: imagery, simile, metaphor and onomatopoeia. A good poem may lead to sadness, joyful or simply wandering, but it always leads us to think more deeply about life for the following reasons: Firstly, it creates emotion; secondly, it shows us the brutality of war; and finally, hardships faced by soldiers and also by showing about death. Through this it becomes evident that a good poem may lead to sadness, joyful or simply wandering. A good poem may lead to sadness, joyful or simply wandering because it creates emotion. Emotion refers to a natural instinctive state of mind deriving from one's circumstances, mood, or relationships with others.
Throughout the whole poem, the readers are able to know his disapproval, dislike and displeasure over the place that he lives in, by creating a moody and sullen tone which enhances the eerily seriousness of the atmosphere. The content, aim and the theme help to reinforce the writer’s intentions and message of the poem. Through the four quatrains, iambic tetrameter poem, it shows a society that is portrayed as being devastated and grim. Using the basic rhyme scheme of abab, it shows how the people and the places are infected and affected. The rhyme is able to give a flow to the events, making it on-going showing how the society keeps on worsening day by day.
I like it, he thought, I don’t like it…Charles Halloway saw but chose not to see,” it says on page 41. Ray Bradbury often makes the narration of the story much more personal, making it seem as if we were inside the characters’ heads, thinking what they think. This unique diction creates a comparably unique tone. Ray Bradbury’s tone always seems excited. The combination of short, choppy sentences, the long-winded sentences, and the repetition makes for a tense atmosphere about his words.