TO LOVE OR NOT TO LOVE? “The most interesting aspects of texts written in different times is seeing the difference in what people value.” Possibly one of the best known piece of American prose fiction of its time, The Great Gatsby, by F. Scott Fitzgerald, develops an ironic but ultimately pessimistic point of view on the materialistic and superficial society presented in the 1920s which prevented the ideas of pure love. The form of a prose fiction does not have a structure which makes the novel unique. Sonnets from the Portuguese, by Elizabeth Barrett Browning, presents a more idealistic and optimistic view about love and hope. She portrays her personal voice through the use of sonnets, specifically Petrarchan.
With an abundance of asides, which the whole passage is, and bits of detail that create and amazingly complex set of ideas, Hawthorne manages to successfully conjure his image of Puritan society and how they treat Hester. Without using such circuitous grammar and syntax, Hawthorne might have failed to recreate the formal, deeply psychological Puritan society and ways that the novel attempts. The tones that Hawthorne uses in the paragraph are more so detached, moralizing, impassioned, formal, and skeptical, and he makes it very obvious that he does not care for the Puritan society (The Scarlet Letter - Linguistic
Anne Bradstreet’s publication, ‘The Author to Her Book”, dating back to 1678 is an atypical poem that accurately depicts the meaning of a controlling metaphor. Through the use of devices such as tone, diction, and characterization, Bradstreet is able to convey her complex attitude of the public’s criticism of her “unfinished” work. As early as the first sentence, Bradstreet already expresses a critical tone in her writing. By making use of the words “ill-formed” and “feeble” it is easy to understand that the author is not comfortable with her own work as she views it as an actual pre-mature baby. In addition, she portrays similar tones such as desperation and mournfulness.
“The critic asks “is this believable?” The novelist, “how can I get them to believe this”? In short she argues that a good novelist always has some sort of conflict to tell and it must be suspenseful. “Something other than breakfast”. She uses witty humour to loosen the audience up. Atwood discusses the several genres of fiction that are available in this time and explains how this is not only a time of gender crossover but of genre crossover.
Michael Blasl Introduction to Analytical Writing 10:25-11:20 October 8th 2009 Love on the Rocks: An Ironic Rite of Passage In both John Updike’s “A&P” and Alice Munro’s “How I Met My Husband” the authors use the literary devices of irony and theme in their stories. In the following essay, this writer will analyze and compare both characters rite of passage, and how the use of irony leads them towards their completion of that rite. First, Sammy’s naïve and inexperienced persona cause him to make several poor choices such as quitting his job and force him to see how his actions can have very serious consequences. Second, this writer will compare his rite of passage to that of Edie’s.
Mark Twain was and still is a literary idol for writers to always look up to, and the way he wrote he even became a political figure in America. To change his work without his permission, legal or not, is morally and ethically inappropriate. Carol Lucas said, “I think that if one is to edit Twain and omit what one might think is unacceptable, then one has to start in Shakespeare, the Roman and Greek comedies, most French and British comedies of the 18th and 19th centuries, and so on. Might as well rewrite all of history” (). Through this quote one can easily see how editing Twain’s masterpiece would be a queue for editors around the world to go and edit every inappropriate word of a dead writer’s work.
Abstract This essay seeks to overturn Kyle Baker’s claim that he represented the “true” character and “true” story of Nat Turner in his graphic novel Nat Baker. This essay first briefly examines the famous novel The Confessions of Nat Turner by William Styron, that is based on the same source as Baker’s graphic novel. This essay explores the techniques that made this novel controversial, and questions why this novel was more highly criticized than Baker’s graphic novel. Through a general explanation of the difficulties of interpreting history, one learns that it is truly impossible to depict history in a full, unbiased, honest form. Daniel S. Fabricant explains in “Thomas R. Gray and William Styron: Finally, A Critical look at the 1831 Confessions of Nat Turner” the various reasons as to why many, such as Baker, have trusted Gray’s document as well as why Gray’s document needs to be questioned.
Miss Brill’s Fantasy Presented on a day described as “brilliantly fine” with “the blue sky powdered with gold” (1270) “Miss Brill”, a short story by Katherine Mansfield invokes an interesting perspective on how coping with rejection and accepting reality can be a difficult combination to balance; failed attempts are inevitable, unforeseen and extremely painful to experience. Using the main character as the narrator, as if the reader is allowed to view “a record” (unk) of Miss Brill’s thoughts, Mansfield engages the reader in a dramatic story which reveals the true to life fact about society’s cruel disregard of the aging population, its brutal rules of acceptance, and it’s lack of human compassion. Seen through Miss Brill’s personal revelations and ideas about self-preservation the author demonstrates how hiding from reality as a means to secure self-worth proves to be a waste of time, and will only impede the capacity to achieve inner peace. Miss Brill is an elderly woman amidst an inner struggle with loneliness, insecurity, denial and rejection which she keeps concealed with a clever use of fantasy. During one of her Sunday visits to the park Miss Brill’s self-image will be painfully restructured in her mind.
If Maupassant’s story “The Necklace” had been poorly written, it could easily have shown Mathilde quickly as only vain and superficial. But all writers must make us feel for their central characters if their stories are to be successful. Analyze Mathilde, her husband and any other secondary characters in the story and develop an argument that explains how Maupassant forces us to care about what happens to Mathilde. Guy de Maupassant's short story "The Necklace" tells of a vain, narcissistic middle-class housewife who longed for the aristocratic lifestyle that she believed she deserved. In describing Mathilde's callous self-centeredness in preparing for the party to which she and her husband were invited, as well as her reaction to losing what she thought was an expensive necklace she borrowed, de Maupassant incorporates a tragic irony that makes this story a timeless classic.
One of the main characteristics that I focused on was the use of complex sentences. A great deal of Dostoyevsky’s sentences are composed of at least one dependent clause and an independent clause. For example, on page 477 the narrator says, “When he so wished, however, Arkady Ivanovich could be a man of the greatest charm, so that the original conjecture (fairly acute) of the fiancée’s parents, to the effect that Arkady Ivanovich was drunk and out of control, quickly dropped of its own weight” (Dostoyevsky). Another quality that I will be trying to mimic is the “dialogic” nature of the text. What I mean by this is that when the characters in the play are talking, they are talking to at least one other character as opposed to simply speaking one’s mind to no one in particular, which would be a monologue.