Exploration of How Lawrence Ferlinghetti Uses Ekphrasis as a Vehicle to Convey His Views on Human Relationships.

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Explore how Lawrence Ferlinghetti uses Ekphrasis as a vehicle to convey his views on human relationships. “Short Story on a Painting of Gustav Klimt” by Lawrence Ferlinghetti is an ekphrasis of Gustav Klimt’s “The Kiss”. Contrary to popular understanding, Ferlinghetti views the painting in a negative light. He includes themes of patriarchy and feminine vulnerability, indicating that the man is unduly taking advantage of the woman, if not forcing himself upon her. Ferlinghetti views the painting as a symbol of how the male is traditionally dominant in various human relationships, concurring with the feminist ideals that were developing at the time of writing. The poem can be viewed as a satire of conventional ideas of romantic love. “The Kiss” was painted between 1907 and 1908. It is one of Gustav Klimt’s most popular works, traditionally seen as a paramount image of romance and sexual love. While at an initial glance it may seem so, there may be ulterior meanings to this piece of art. Critics have commented that this painting was influenced by the fin­-de-siècle spirit of the times, with its ironic juxtaposition of wealth and decadence, either moral or cultural. It has also been said that “The Kiss” shows Klimt’s fascination with eroticism, which had earned him a bad reputation with his previous works. “Short Story on a Painting of Gustav Klimt” was written in 1976. As is commonly known, this particular stretch of time is characterised as the era of radical change, with the emergence of many liberation movements, including feminism. As such, the ekphrasis views the painting under a feminist’s point of view. Instead of symbolising romantic love, the poem shows that “The Kiss” may symbolise male dominance. Lexis that indicates this is apparent from the start of the poem. “They” are described as “kneeling” together in the first line, which is deceivingly romantic.
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