Evolution of Evangelical Music

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Evolution of Evangelical Music Most Evangelicals would agree that the single biggest change in the life of the average evangelical church congregation in the past 30 years have been the change in music that is played on Sunday mornings. Music in the early church days included organs and pianos, formal choirs, vocal groups, and soloists. This slowly changed to hymns, peppy gospel songs, guitars, and praise choruses in the early 1970s. “An irresistible, grassroots, pop-culture-driven force met the immovable object of tradition and sentiment, and the ensuing years saw no shortage of conflict and controversy as a result.” When looking at the history of evangelical music, people often confuse the rise of praise music, with the rise of contemporary Christian music. This can be somewhat misleading. “While the two subsets of music both trace their origins back to the 1960s Jesus People movement, their different settings and purposes created two distinct musical trajectories.” Contemporary Christian music was geared more towards evangelism, apologetics, and entertainment. Evangelicals in the 1960s would say that it was more “rock and roll” style of music. Praise music, on the other hand, was a mellow style of music aimed towards corporate worship. Both of these styles were becoming fairly popular in the 1960s and 70s. While musical change was everywhere in evangelical churches in the late 1960s, some key developments centered on one of the movements earliest and most influential centers were in Calvary Chapel in Costa Mesa, California. “Under the leadership of its pastor Chuck Smith, the modest Pentecostal church took on a young hippie named Lonnie Frisbee as a missionary to the youth of Orange County.” By 1968, evangelical churches were having more carefree “hippies” start to attend church services, and many would say that it was because of the preaching styles of

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