Romeo & Juliet Essay Can death be funny? Yes, through the use dramatic irony you can make tragic moments humorous. In the play Romeo and Juliet, Shakespeare effectively creates humour using dramatic irony. Three examples of dramatic irony are; when Juliet is mourning and her mom thinks it is because of Tybalts death but it is really over Romeo being exiled, when the Friar Laurence was going to take Juliet to church but not for the wedding and when Romeo says Juliet looks alive when she is supposedly dead. Shakespeare effectively creates dramatic irony in this scene which creates a strong sense of humor.
Although the subject of this poem is morbid its overall message is a positive one. The moral of this literary piece boils down to the point that living is a lot easier than committing suicide. The poem has an ABAB rhyme scheme as well that further adds to this poem’s amusement. She begins with, “Razors pain you; Rivers are damp; Acids stain you; & drugs cause cramp…” In this stanza you can see she lists razors, rivers, acid, and drugs as different ways someone can kill themselves but then gives reasons why they shouldn’t. In the first line, she implies you could kill yourself using a razor but then says they “pain you”, as in if you did use a razor to commit suicide it would cause too much pain.
The characters’ likings change in the play is troubling, where Lysander is intensely in love with Hermia at first and with Helena at another point. “Transparent Helena! Nature shows art that through thy bosom makes me see thy heart” (Shakespeare and Foakes Act II). The aim of the play is not to observe the nature of true love but reasonably to mock misunderstandings that love brings. Lysander, Hermia, Demetrius and Helena are destined not to be romantic classics, but somewhat sympathetic figures thrown into perplexing situations of romantic farce.
The play of Much Ado about Nothing, written by Shakespeare is based upon deliberate deceptions, some malevolent and others benign. The deceiving of Claudio and Don Pedro results in Hero’s disgrace, while the ruse of her death prepares the way for her redemption and reconciliation with Claudio. In a more lighthearted vein, Beatrice and Benedick are fooled into thinking that each loves the other, and they actually do fall in love as a result. Much Ado about Nothing shows that deceit is not inherently evil, but something that can be used as a means to good or bad ends. Shakespeare starts his play with love that Claudio speaks for Hero, the passion and affection is shown by Claudio throughout the play even though in Act 3, there was deception
Relationship between Macbeth and Lady Macbeth. Shakespeare uses insightful language and structures his drama text immensely well, to entertain and engage the reader to the characters and show there relationships. Shakespeare uses prose throughout his drama text to help connect with the viewer. We also see a constant power struggle between Lady Macbeth and Macbeth in their relationship, this is clearly portrayed in Shakespeare’s script and Polanski's film adaptation of Macbeth, and however their relationships differ in both. In Act 1 scene 5, Lady Macbeth describes Macbeth to be “full of the milk of human kindness” Shakespeare uses this phrase to acknowledge Macbeths virtues, however lady Macbeth cunningly uses his kindness as a fault of his own, as she shays that he is “too full” of kindness.
Such pure beauty thus have, thou have’t poise, grace and etiquette. Her name, I know’st not, but thou nurse say thou be’t of the lady of the house. Has’t my love be my worst enemy? Oh why shall this devilish love be so sinister, the fair maiden of whom I love shall be my sworn enemy before I was born? Oh why, oh
Juliet curses Romeo but still loves him at the same time. The nurse tries to coax her to believe men are evil. Then Juliet takes up for Romeo. She says that she shall not talk bad about her husband of three hours. She said that banishment is worse than any murder.
It could in some ways be considered the driving force of the play itself. The sickly jealousy which comes to consume Othello would have meant very little at all if he had not loved Desdemona with the passion and vigour that he did. There are a number of contrasts utilised by Shakespeare to convey two very different forms of love, each nearly completely antithetical to the other. The relationship between Othello and Desdemona, proved in the end to be something pure and good, is set beside the sickly, superficial relationship between Iago and Emilia. Interestingly, this makes the theme of love in Othello yet another aspect of the idea of opposites, two-facedness, the ultimate duality of black and white, good and evil, inherent in the play.
Comparing an extract with ‘Romeo and Juliet’ with an extract from ‘Wuthering Heights’ William Shakespeare’s “Romeo and Juliet” and Emily Brontë’s “Wuthering Heights” are considered to be two of the most popular romances in English literature. They are very similar in different ways. They both tell a love story but from different extremes. Both use obsessive love and overpowering love, love links with conflict and hate, love leads to dangerous and strange behaviour, love leads to passion, love makes the characters disturbed, and love is forbidden. All of these qualities are used in both novels.
Main points include that this source of praise for the play by critics and readers comes from the parallelism between imagination and love, and the specific ways the author of the play, Shakespeare, constructs the plot. Expanding on Dent’s assertions, the author includes that imagination in itself is necessary for the functionality of most works and the idea of love has specific characteristics that act as reasons for the actions and decisions made by characters in the text. The author maintains the emphasis on the relationship between imagination and love. Their interaction in this play specifically causes confusion and folly which produces the comedic effect so praised by audiences. Imagination is used to describe the ambiguity of love itself, by having fairies implementing magic on the characters to cause them to fall in love with the “wrong” people.