Epitome of Style and Flair Essay

1282 WordsNov 13, 20126 Pages
122923 Mr. Serrano Literature 13/ R33 12 October 2012 Epitome of Style and Flare: Milan Kundera Diversity is always good but when it comes to literature, if used wisely, it can be a magnificent. The embodiment of this concept is Milan Kundera’s, “The Unbearable Lightness of Being.” The notion of heteroglossia is adamant throughout the novel through the “first stylistic peculiarity of the novel, the one resulting from the active polyglossia of the new world, the new culture and its creative literary consciousness” (Bakhtin 325). Bakhtin viewed the modern novel as a literary form best suited for the exploitation of heteroglossia. The linguistic energy of the novel was seen in its expression of the conflict between voices through their adscription to different elements in the novel's discourse. Milan Kundera’s clever way of utilizing certain elements is what makes his critically acclaimed novel truly worth mentioning. The multiplicity of styles and genres in, “The Unbearable Lightness of Being,” produces one the main characters in the novel, heteroglossia. In Milan Kundera’s, “The Unbearable Lightness of Being,” heteroglossia accounts for the novel’s intricately weaved plot that makes it all the more riveting. Kundera begins his novel philosophically. “The idea of eternal return is a mysterious one, and Nietzsche has often perplexed other philosophers with it: to think that everything recurs as we once experienced it, and that the recurrence itself recurs ad infinitum” (Kundera 2). Now, the novel is essentially about four characters and their lives intertwining during a time when Communism was adamant throughout Europe. Cold, straight hard facts are what to be expected in a novel with this contextual background. However, by Kundera’s touch of this philosophical flare, it brings the book to another dimension: a deeper level than just tales of the Communist

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