Elements Of Sublimity In "Paradise Lost" Book-I

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Elements of Sublimity in "Paradise Lost" Book-I Introduction Sublimity is the only word that can truly characterise Milton's poetry. The constitutional sublimity of Paradise Lost is the grandest feature of the poem. Here Immensity communes with Infinity. It overwhelms us by the vastness of its conception. It transcends our imagination and experience. The subject-matter of this superhuman drama is the fate of man. The time is Eternity, the space is Infinity, and the actors are God, the Angels and the primitive parents of mankind. The poetry of Milton has the roaring of the ocean in it. Other poets have given us more beauty, more philosophy, and more romance but none has given us such sublime things as Milton. Sublimity is the most distinguishing characteristic of Milton's poetry. Sublimity is the capacity to enlarge the imagination of the reader. Milton has surpassed both the ancient and modern poets in this respect. As John Dennis puts it "Where he has excelled all other poets, is in what he has expressed, which is the surest, and noblest mark the most transporting effect of sublimity." Sublime Theme The sublimity of Paradise Lost is constituted both by its theme and poetic style. The great epic deals with cosmic theme. It presents the fall of the rebel angels, the creation of man and the earth, man's disobedience of God's command and his consequent expulsion from earthy Paradise. It is a great theme, and perhaps no other epic of the world, whether ancient or modern has dealt with a theme equally great. Discussing the vast scope of Paradise Lost, Mr. F.E. Hutchinson says: "It ranges over all time and space and even beyond them both. It depicts Heaven and Earth and chaos, the imagined utterances of superhuman beings, events, before the emergence of man upon earth, the history of man from the creation and by prophecy, to the end of time, and his eternal

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