The men in both poems truly loved their women in the beginning, but by the end they had become obsessive, drove themselves to insanity, and slept next to the dead bodies of their lovers. God and the Angels played a role in the speakers mind, but in dissimilar ways, and both authors used some personification, one with the storm, while the other with the sea. Ultimately, love, true love, can drive you mad. The speaker in “Annabel Lee” describes his love for her as strong and powerful. He says “But we loved with a love that was more than love.” Their age had no determination on how much they loved each other; “But our love it was stronger by far than the love of those who were older than we.” In Porphyria’s Lover, the speaker describes their love more indirectly by saying she was “murmuring how she loved me.” This is very romantic, though she is still hesitant and can’t say it directly.
This is used in the last line of the poem ‘Bide you with death and sin’; this symbolised her outrage at her sister and her hope that she will pay by going to hell after death. The word ‘Bide’ implies that she will have to live with what she has done, even after death. In contrast, Farmers Bride uses sibilance to emphasise that there are few good point about their relationship; ‘sweet as the wild violets, she, /To her wild self’ this symbolises his love and admiration for her, which is short lived as je cannot get near her. The word ‘wild’ has connotations of unspoilt freedom and rejection of people suggesting that she would rather be with nature than with another person, particularly a male. In sister Maude juxtaposition is used to show the emotion change from one stanza to the next.
Sylvia Plath’s Mad Girl’s Love Song: An Analysis of the Poem Plath’s poem Mad Girl’s Love Song is about a girl who has lost what seems to be the love her life, though it is ambiguous as to why he is not there with her. Was he killed in some war? Did he leave her for another? Or is there some untold circumstance that would call for his absence without return? At any rate, the fact that he is not with her has driven her to insanity and forced her to keep him alive in her mind to escape the pain of unfulfilled desire.
She calls him a bastard because he walked out on her however Duffy uses beloved sweetheart to symbolise her unconditional love for him. Havisham exhibits violent imagery with powerful words, strangle, stabbed and death which all associate her bitterness with her wanting her ex fiancé dead. `Not a day since then I haven’t wished him dead`, proves that Havisham still remembers her wedding day very vividly and feels humiliated having been jilted so is trying to get revenge. Havisham is feeling emotionally detached from life and because of that, envisaging her ex fiancé dead or hurt. The poem infuses images of death to show the extent of her bitterness, along with enjambment.
Their relationship is doomed from the outset, which is made clear to the audience within the prologue, ‘two star- crossed lovers take their life’. There are many factors that take place prior to this scene that can be argued as contributing to the death of the protagonists but overall the family feud seems to play the leading role. The purpose of this essay is to discuss both the feud and the effects of the other factors on the young lovers’ fragile and fate- driven lives. The scene begins outside the tomb with Paris and his page; he is visiting Juliet with flowers because he is under the illusion that she is dead, ‘Sweet flower, with flowers thy bridal bed I strew’. She is in fact only sleeping for 24 hours as a result of a poison she has taken as part of a plan concocted by her and Friar Lawrence in order to ensure her love for Romeo survives.
Also, he is saying that she is about to become his wife. For Paris to express his feelings to Juliet in such a short scene would be very difficult for him. Paris is genuinely heartbroken when he thinks that Juliet is dead; 'Sweet flower, with flowers thy bridal bed I strew...The obsequies that I for thee will keep nightly shall be to strew thygrave and weep. Paris goes to visit Juliet's tomb and talks to her whilst she lies there in apparent death. He compares her to a flower, which seems to be his way of showing affection.
It is debateable whether at the end of the poem the Bishop survives or dies, perhaps in the case the circular structure implies that the bishop dies ( due to circular structures representing life ) it could be suggested that the Bishop is infatuated with this woman because he is always thinking about her. Browning choses this woman to be a mystery, referring to her remaining unnamed but also it is concealed about the relationship between the pair about whether or not they were married or whether or not she was his mistress but the woman also may give the readers sympathy towards the Bishop because in the poem she dies and he has lost her forever. Robert Browning wrote this poem as a monologue, this suggests that this poem has a silent listener. This idea contradicts the poem due to a silent listener being named. “ is
When Lancelot is going to see the Lady of Shallot, she knows she is stepping into dangerous waters, but still goes along with it. Her image of herself turns so bad, that the basically kills herself and unhappy and lonely woman. After she is dead, Lancelot sees her and only says that “She has a lovely face,” demonstrating that he only cared about her looks and not really her inner beauty. The Lady of Shallot is a round character because she changes throughout the short story. At the beginning, she believes in herself and who she is as a person, but she is lonely.
Bliss and Sorrow Begins and Ends Love Throughout texts and other literary devices, many various authors have used conflicts as an element to introduce love into their stories. In Robert Frost’s “Home Burial,” Bobbie Ann Mason’s “Shiloh,” and Katherine Ann Porter’s, “Jilting of Granny Weatherall,” such conflicts are introduced and used to project love differently. The three authors show how the loss of a loved one can be either tragic or pleasant. The setting of the poem, “Home Burial,” is gravely important to the dispute between husband and wife. In the beginning of the story, Frost places the wife standing at the top of the stairs and grieving while her husband is at the bottom of the stairs emotionally inferior and indifferent towards the death of their only son.
First examining marriage in Pride and Prejudice, the prime example of it in this novel is that surrounding the Bennett family who are not wealthy people, and there is nothing that Mrs Bennett wants more than to see her daughters get married to wealthy men. She presents this desperation at the very beginning of the book when she is eagerly mentioning the fact that Netherfield Park has been let, and she is said to be speaking “impatiently” when her husband does not return this eagerness. This is shown when she says “you do not know what I suffer”. This suffering may be as a result of her own marriage (which disappoints her) or the fact that she wants each of her five daughters to find wealthy husbands. She states in the first chapter that the “solace” of marriage is “visiting and news.” This explains why Mrs Bennett is so desperate for her husband to visit Bingley and find out more about him and to introduce him to their daughters.