Dramatic Structure of Broadcasting

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DRAMATIC UNITY The chief structure that broadcast news writers use in dramatic unity. It is a way of presenting information that allows a writer to tell a story very briefly and efficiently. Dramatic unity has three parts: Climax -- what is most important or dramatic of the story? Remember when we talked about news writing, we discussed things that should almost always be in a lead paragraph or near the top of a story: people killed or injured, property damage, large numbers of people affected by an event, etc. The same things -- and many of the same rules -- apply to broadcast writing. E.g. Maun police are looking into the death early Tuesday morning of 20 year old Fedelis Mmereki at the California Gardens Nursing Center in Little Village. Cause -- what are the facts that will expand or develop the climax of the story? In this sense, “cause” doesn’t necessarily what caused the event. Rather, it means what can you say that will help the listener to understand the event better. For instance, in the example below -- the next part of the story begun above -- what is said is not the “cause,” but it does help the listener to understand this story better. E.g. Fedelis reportedly received a morphine injection from his 19-year-old girlfriend just hours before his death. Fedelis was suffering from numerous terminal illnesses Effect -- what information can bring this story to a conclusion? Again, we are not necessarily talking about an “effect” in the sense of cause-and-effect. We are simply looking for a way to bring the story to a conclusion. E.g. The case is just a death investigation at this

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