Dogs in Wuthering Heights

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Explore the ways in which Bronte uses the motif of Dogs in ‘Wuthering Heights’ In ‘Wuthering Heights’, Bronte uses the motif of dogs throughout the novel both symbolically and to present imagery. The dogs, like the Earnshaws and the Lintons, are related, suggesting that the family’s actions in the novel are savage and animalistic (like the dogs). Dogs figure in multiple scenes such as the opening scene when Lockwood tries to enter Wuthering Heights and finds not only several locked gates but also a pack of dogs preventing his entry, "two hairy monsters" with the names Gnasher and Wolf who attack Lockwood. Their lack of hospitality can therefore symbolically relate to Heathcliff, as he is described as a “mad dog” and “savage beast” throughout the novel. The use of dogs in the opening chapter of the novel, further suggests that dogs will be important figures in the novel. Linking in to Heathcliff’s “savage” qualities in the novel (which are hugely linked to dogs) is his treatment of Isabella Linton’s springer, Fanny. Heathcliff uses a handkerchief to hang the dog by his neck on a bridle hook. The condition, in which Nelly finds Isabella’s dog, is a metaphor for Isabella’s situation in her relationship with Heathcliff; her physical maladies represent the restrictive nature that her marriage with Heathcliff will possess, like the dog who’s suffering results from the hanging. Aside from the suffering, the dog’s physical restrictions are also a representation of the new boundaries that Heathcliff presents to her life. Isabella’s dog also represents Isabella as she runs into the road, in chapter 12. Nelly tried to save the dog from the road, which is symbolic, as Nelly also tried to save Isabella from Heathcliff. Unfortunately, in both situations Nelly was not able to save Isabella like she did the dog. Overall, the acts of Heathcliff, on Fanny, can
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