How does Mary Shelley use loathing and sympathy in her portrayal of Frankensteins monster

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Gothic horror was a common genre of use in the time Frankenstein was written. This was a time of great novels such as Dracula and Hound of the Baskervilles. Gothic horror is traditionally set in dark castles and countryside with eerie moaning music and bad weather Written in 1818 Frankenstein is the deeply disturbing tale of a monstrous unnamed creation that was created in the name of science. Huge and strong, the creature created by Victor Frankenstein kills and murders many throughout the tale, but considering his tragic beginnings I must ask, who is the real monster in this gothic tale of horror? Frankenstein is cleverly written in two parts. The first part of the book is narrated from Frankenstein’s point of view as he relates his story to a ship’s captain. The second part of the story is the creature telling Victor how he came to find him and what had happened to him since he was abandoned. This technique cleverly allows the reader to see both sides’ of the story and judge who the real monster is. In chapter five of Mary Shelley’s Frankenstein, the creature is given life. The opening paragraph makes excellent use of pathetic fallacy, using the weather to set the scene. The first lines of the chapter “it was a dreary night in November” and “the rain pattered dismally against the windowpanes” make obvious use of traditional gothic horror scenery. Victor Frankenstein seems to have mixed emotions at the time of the creature’s birth. He is nervous yet scared and disgusted at the out come of his long toil. The author shows this with the quote “with an anxiety that almost amounted to agony”, again this really brings out the gothic image using pain and suffering to make sure the reader realises the full extent of the horror that Frankenstein has unleashed on the quite country around him. When the creature is finally brought to life Frankenstein’s
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