Discuss Ways in Which Edward Thomas Presents Memory in "Old Man"

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“Old Man” clearly explores in paradoxes the problem of identity, as well as a feeling that we are cut off from our past and our future. The presentation of memory in the poem is directly linked to this idea of having a problem with identity. This is not necessarily the plant that is suffering from an identity issue, yet it may even be Edward Thomas who is suffering in “memory.” The first stanza develops a theme of naming. The plant with strange names is remembered fondly, we feel, by one who ‘knows it well’ – the phrase suggests a familiarity and wealth of memory associations, an idea challenged later in the poem. Here, however, the gentle internal rhymes, ‘tree’, ‘rosemary’, ‘thing’, ‘clings’, suggest a conversational, fond reminiscence. The word inversion that puts ‘clings’ before the negating ‘not’ encourages the reader to hold both positive and negative meanings in the mind momentarily. We are therefore given the sense of ‘clinging’ – in the sense that the speaker takes an interest in the plant for its names, and ‘clinging not’, in that they seem incongruous with the plant itself. A sense that the plant is uncomfortable with its names is given by the words ‘decorate’ and ‘perplex’, which stick out prominently as the only polysyllabic words in the last four lines. We note that it is not the beholder but the plant itself that is ‘perplex[ed]‘ by the names. Here the ‘Old Man’ plant becomes personified, with the implicit irony that just as its name is made to sound inappropriate, its response makes it fully inhabit the ‘Old Man’ title- the plant itself is in a state of confusion, as if it were an old man. Here we see another dimension to the ambiguity around ‘clings not’ – the plant inhabits the name simultaneously with finding it unsuitable. It is this paradoxical feeling of awkward self-consciousness that the poem is trying to create for its speaker. The
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