Discuss the Representation of Colony in Conan Doyle's 'the Sign of Four' and Stevenson's 'the Beach of Falesa'

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Discuss the representation of the colony (in India and the Pacific) in Conan Doyle's The Sign of Four and Stevenson's The Beach of Falesa First published in 1890 and 1892 respectively, both 'The Sign of Four' and 'The Beach of Falesa' were written towards the end of the Victorian era, by which time a distinct amalgamation of values, thoughts and attitudes were deeply entrenched in the collective consciousness of British society. This Victorian zeitgeist and its particular relation to the subject of colonialism will be examined through an analysis of its representation in these works by A. C. Doyle and R. L. Stevenson. In addressing the context in which they were written, the preconceptions and the expectations of a Victorian readership, as well as the intent of each author, some relevant reference points are required. As such, a brief compendium of British colonial activity in the territories relevant to each tale will in each case serve to foreground the effect and implications of the specific themes and areas of the text I shall refer to. The second in a series on Sherlock Holmes, 'The Sign of Four' cultivates a strong sense of intimacy between characters and reader through the use of familiar settings (both domestic and geographical), as well as through the portrayal of the exceptional Mr. Holmes and the quintessentially British gentleman, Dr. Watson. The creation of this setting, to which a majority of readers could relate closely, later serves as emphasis in the differentiation between 'home' and 'away'; a sharp juxtaposition between civilisation and the wild beyond. Early on in the first chapter, the reader is made aware of Watson's wounded leg, a result of having been shot by a jezail. This would have been known to the Victorian readership as one of the weapons of choice of Afghan fighters

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