Macbeth is a little nervous at first, but Lady Macbeth is able to get Macbeth to agree with her to kill King Duncan. Macbeth still has a conscience because he is very hesitant about killing the King. He has a conscience throughout the entire play. It is Macbeth’s conscience talking when he sees the hallucinations of the dagger and the ghost of Banquo, and has a constant worry of being discovered. This is also evident in his terrible dreams in which he hallucinates a voice that cries “Macbeth does murder sleep...Macbeth shall sleep no more”(Shakespeare II, ii,43).
Throughout the play Lady Macbeth is the driving influence behind Macbeth and the immoral path that he chose to follow. To put it simply Lady Macbeth started the rot and persuaded the hesitant and indecisive Macbeth to “be a man” and do the deed of killing Duncan. Macbeth initially decided to “proceed no further” in the matter of killing Duncan because he had been kind to him of late bestowing the position of Thane of Cawdor on him. She responds to this by saying that if he can lose his ambition so readily, his love for her must also be changeable. Then she insults his masculinity and questions his courage.
As the play goes on, Macbeth slowly looses his morality as he strives for more control whilst Lady Macbeth steps into a frantic stage of guilt. After killing the king, Macbeth starts to plot other evil undertakings as he becomes nervous that someone will take away his power. At one point he goes from wanting to needing the sovereignty, which makes him loose sight of his integrity. As Macbeth begins to immorally act in order to achieve what he hungers, the line between good and evil starts to fade. “I am in blood / Stepp’d in so far, that, should I wade no more, / Returning were as tedious as go o’er.” (3.4.136-138) In this quote, Macbeth is telling himself that because he has stepped into evil so deeply, it will be hard to go back to morallity because he will never be able to rid of this guilt brought onto him.
Deceiving Characters In Macbeth: Macbeth, Lady Macbeth, and the witches In the play Macbeth, written by William Shakespeare there are many characters with appearances that are deceiving. The three characters that are deceiving are Macbeth, Lady Macbeth, and the witches. Macbeth shows loyalty to King Duncan in the beginning of the play. Macbeth’s appearance is deceiving because later on in the play he ends up killing Duncan. Besides Macbeth, Lady Macbeth also shows her character is deceiving by planning how Duncan will be killed.
This shows me that Macbeth is becoming a more vengeful person foreshadowing more bad deeds “We are yet but young in deed”. The survival of Fleance also adds significance to the play in a dramatic fashion. Fleance’s survival plays a trivial role on Macbeth’s future as king because of the prophecies of the witches. The fact that Fleance is still alive brings fear and sleepless nights to Macbeth. This makes us readers to believe that Fleance will revenge the death of his father in the future.
Ambition is a common downfall for those who seek power. In literature, authors use characters to demonstrate the harmful effects of ambition. Shakespeare, in his play Macbeth, develops the character of Macbeth, who changes from a good-hearted person to evil because of his corrupting power and unchecked ambition. In Act I, Macbeth debates with himself on whether or not to kill Duncan. He considers that, even if Duncan’s murder could be completed without any negative consequences, like getting caught, he still would have to live with guilt.
This conflict within Hamlet is further expounded by the possibility that his father was murdered by his uncle, King Cladius. In an attempt to cope with the moral weakness of his mother, Prince Hamlet dispels any sympathetic feelings toward women causing him to ruin his relationship with Ophelia and leaving him lonely. In order to accurately interpret Shakespeare’s usage of a female’s role throughout his play it is imperative to consider the greater source of his ideas-his historical background. The historical period of the Elizabethan era influenced Shakespeare’s negative portrayal of women and thus, he uses the women in his play as tools in unraveling Prince Hamlet. In Hamlet, it can be noted that the patriarchal setup of society mirrors that of England during the Elizabethan era.
Guilt is constantly seen throughout the play Macbeth driving the characters to question their morals. To the responder it appears that Lady Macbeth is the driving force behind the initial killing of King Duncan influencing her husband Macbeth to commit the evil deeds by threatening him with his man hood by saying “when you do it, then you are a man”. Her tone portrays her dominant nature and her hunger for authority and demonstrates to the responder her strength as a character. However her over confident traits and clear and concise thinking is diminished once the guilt of the crime poisons her conscience. This is demonstrated by her imagining her hands stained by blood and her constantly trying to clean the “damned spot” away and rid her sole of the guilt.
Throughout Macbeth there exists confusion as to what is real and what imaginary, and, for the most part, it is Macbeth himself who is confronted with these confusions. The question of whether or not the witches are real must be examined in relation to them. The three sisters are also capable of leading people into danger, often resulting in death as we see in the sailor who was never able to sleep (Act 1, Scene 3). The Witches first appear in the very first scene. They play very prophetic roles, where they predict the past and what the future holds for Macbeth.
Here, she blatantly reveals that she intends to murder Duncan, saying he won't live to see another day. She then warns Macbeth that his face "is a book where men may read strange matters." Meaning that he has a blatant look of guilt on his face, which others may notice. Knowing Macbeth is having some doubts, Lady Macbeth tells him to leave the arrangements to her when she says: "put this night's great business into my dispatch," Here, Lady Macbeth is taking on the burden of arranging a plan,