In contrast to Cindy’s new found self esteem, her mother seemed to uphold a strong lack of confidence in her daughter and in herself as well. By the same token, in the second article “The Thrill of Victory … The Agony of Parents”, the author presents the opposition through her mother. Jennifer Schwind’s mother appeared as an embarrassment to her publicly and emotionally. “In a voice so screeching that it rivaled fingernails on a blackboard, she told him that he was a disgraceful coach and that he should be ashamed of himself” (Pawlak 3). While in her mother’s eyes, she only supported her daughter and craved the absolute best for her child.
She became extremely uncomfortable with the tensions between her sister, the thought of her husband in combat at war, and the expectations of the team. She often complained that the “game” was becoming too hard and Dugan reminded her that it is suppose to be that way or else everyone would do it. “The hard is that makes it great.” (Marshall) Dottie refused to see how special and important her opportunity was. The entire league viewed her as the most talented player and this made her uncomfortable appearing as being #1 and the pressures that came with that. On the other hand, Dottie’s sister Kit represented the “fear of failure” athlete.
Bradstreet’s use of metaphor allows her to relate the complex relationships of being a parent to being an author. When the narrator calls her creation her “ ill-formed offspring of [her] feeble brain” she draws parallels between how parents can feel about their children when frustrated (line 1). The narrator refers to her work as a “ rambling brat” to show how difficult it is to accept something she has created (7). The narrator seems to feel this difficulty not only as an author but also as a mother. As a frustrated parent feels the narrator once again uses the metaphor of a child to describe how an author feels when their work does not turn out how they wanted.
When these traits did not surface, Jing-Mei began to realize she did not have these traits and started to feel internally inferior. She slowly started to resent her mother’s continual control over her decisions and went in a different direction than her mother wanted her too. In Amy Tan’s short story, “Two Kinds”, the dialogue Tan includes within Jing-Mei’s flashback demonstrates that conflict and resentment can occur when not allowing your child to take his/her own path. In the beginning of the flashback, Jing-Mei’s mother is shown to be trying to control and dominate her daughter’s life. When she moved away from China, Jing-Mei’s mother had a vision that in America, you could be anything that you wanted to be.
A Feminist Critic would perceive Faye as a frail woman, almost powerless. The critic would see how the character of Kai is portrayed with dominance and almost arrogant at times. The author clearly portrays Faye as weak when describing the confrontation between her and Kai. This is shown when explaining how Faye would not look Kai directly, always keeping her head bowed down, almost in a submissive manner. The author shows Faye's powerlessness when writing about her sliding down the wall and crumbled herself on the floor.
Angela McTerry does not look attractive in a leotard and somebody who loves her should tell her so. She’s got calves the size of the Soviet Union just liker her sister Theresa McTerry.” This quote is a pure example of trying to reach perfection. Mary O’Donnell is unhappy with herself because she is not perfect, so she picks on the flaws of other girls to make herself feel better. There is something obviously wrong with this; society is
Their mother’s cause them to fail in achieving their dreams of a loving male relationship, a decent education and an independent life. These three common goals are eradicated by the interfering nature of their mothers. To begin, Bella’s continual effort to please her mother, “Grandma Kurnitz” has caused her to let go of her dream of a fairy tale romance. Bella wants to be with a man and wants to start a life. Her mother on the other hand, means so much to her, she doesn't want her to be alone.
The daughters in the stories thought their mothers were very pushy about some things and they did not like it. However, what they did not realize is the intention their mother had for them to be in a better, more independent situation then they were. Jing-Mei Woo was one of the daughters in chapter eight titled Two Kinds and it stated, “I hated the tests, something inside of me began to die”. (Page 141) When Jing-Mei’s mother saw other people excelling, she thought it was necessary for her daughter to do the same thing. She had been put on a pedestal in her mind as a type of prodigy.
Allie Dille Mrs. Kangas English 10x Hour 4 October 25, 2010 Clare Boothe Luce, an American playwright, journalist, ambassador, and U.S. Congresswoman once stated, “Because I am a woman, I must make unusual efforts to succeed”. Women have forever been seen as the “weakest link” of society and are rarely given the voice they deserve. Sometimes, women feel as though they must go to extremes to be heard in society due to their lack of power. The women of Salem in The Crucible by Arthur Miller feel as though they must go to great lengths in order to have an influence in their community. The lack of power that women have in Salem sets the stage for hysteria.
Thus, Lydia’s lack of propriety and good judgment is a reflection of Mrs. Bennet’s inability to sufficiently fulfill her role as an effective mother. Mrs. Bennet is consumed by the desire to see her daughters get married, and as a result, she neglects to care for anything else concerning her children. For example, her reaction to Lydia’s elopement with Wickham exemplifies not only Mrs. Bennet’s stupidity, but also the great extent to which she proves incapable of holding the family together in a moment of crisis despite being a wife and mother of five. She “…blaming[es] every body but the person to whose ill-judging indulgence the errors of her daughter must be principally owing” (192), which is clearly herself. Instead of acting in a mature manner like an adult, she becomes hysterical and exaggerates, “...now here’s Mr. Bennet gone away, and I know he will fight Wickham, wherever he meets him, and then he will be killed, and what is to become of us all?” (192).