Grandma Lynn is one of the more vibrant, vain and misunderstood characters within the novel, like her Daughter she portrays an air of selfishness (Relating back to her daughter leaving the family in a time of crisis) however she takes the role of the level-headed peacekeeper throughout her appearances in the Novel, from her arrival before Susie’s funeral to her departure. We also notice how she is a hardened person, unlike the rest of the family. Sebold represents her as a vain and self-conscious character, an alcoholic and above all she has a straight forward attitude. Sebold initially represents Grandma Lynn in the play as one of the more hardened characters, upon her arrival we already get an idea of the character as someone who is unaffected by personal crisis’s such as Susie’s death, even before her arrival the call between Abigail and Grandma Lynn helps to portray her hardened character, the way that she is blankly states that “She has to come because it’s Susies funeral” she doesn’t seem to show much emotion on her arrival and the way that she brings a more vibrant atmosphere into the solemn and sad house. Even on her arrival instead of confronting the issue of Susies death she orders for a “Stiff Drink”.
In ‘Macbeth’ , Lady Macbeth is deeply in love but on the other hand in the poem ‘The Farmer’s Bride’ , the farmer describes his ‘maid’ as being out of love and never being in love , in the poem ‘Sister Maude’ she was in love but is out of love because of the death of her lover. Lady Macbeth’s love for her husband is shown by her being prepared to give up her humanity in order to help Macbeth’s ambition of being king . An Elizabethan audience would have understood the seriousness of regicide , believing that killing the king is an act against God Himself. Yet she is still prepared to do this for his sake. Unlike Lady Macbeth, the farmers bride is portrayed as a women out of love .
She prefers to spend more time with herself than with her family because of this she has a weak relationship with her parents. The story discusses how she has two sides: one for home and one for not being home. Her abduction was solely due to her fault for her appearance that she presented in public, to the relationship that she had with her family and lastly her naiveness. The antagonist Arnold Friend somehow knew about Connie. He saw a great opportunity the moment he set his eyes on her.
Laertes tries to caution his sister to “ … Keep within the rear of your affection…” He tells her if she gives into her desire, she will only get hurt in the end. Polonius’ advice is different from Laertes, as where Laertes is looking out for his sister because he loves, when Polonius is only looking out for himself. Polonius calls Ophelia naïve, he says that Ophelia does not understand pediment that she have gotten her self-involved in. Polonius tells Ophelia that she should not believe the promises Hamlet has made for her, that he is deceiving her by swearing his love, his vows “ …they are brokers, Not of that dye which their investments shows...” they are not as wholesome as they appear. Polonius forbids Ophelia to see Hamlet
She is first perceived as a weak character who Iago says keeps many thoughts to herself: "She puts her tongue a little in her heart," meaning that many of her most critical thoughts remain unsaid. Even Desdemona has to encourage her to speak. This silence throughout much of the play may be one cause of her drastically changing at the end. Initially Emilia sets out to please Iago without question, as this was her role as an Elizabethan wife, however at the end she speaks against him when she realizes his true intentions. Her change at the end of the play could show that she’s isn’t an outsider, as she now has her own opinion and her own voice like many of the other characters within the play.
The gesture also inspires Edna to speak openly and freely and by doing so Edna feels intoxicated as if she tasted “the first breath of freedom” [VII Chopin]. Madame Ratignolle’s sympathy gives Edna the courage to say what is on her mind without censoring, an exercise that helps her outward existence and inward life to correspond. To Edna, Madame Ratignolle is an embodiment of the mother woman, and through her presence Edna realizes that she is not like her, and that she does not want to devote herself to her husband and children, she would rather have some space and freedom for herself to pursue her interests. Thus Edna realizes that she is not and does not want to be a mother woman. This realization helps Edna further understand herself and she gradually starts neglecting her marital obligations in action rather than only questioning them in her head.
thieves!" (Othello I, i, 79-81). Hamlet is referring to woman in general, but the comment is aimed directly at his own mother, Gertrude. Hamlet, who is still mourning over the loss of his father, is bitter towards his mother. Hamlet is
The workers speak of her, basically, as Curley’s problem that needs to stay at home away from the other workers. She opens herself up to Crooks and Lennie because they possess equal amounts of powerlessness as she does. Curley’s wife feeds off of character’s insecurities, so she can strengthen herself against harm. At the end Curley’s wife’s powerlessness shows greatly when she is strangled at the hands of Lennie who she tries to seduce. This just shows how women then were little to any powerful.
In the attempt to save her husband s life and pride, she secretly borrowed money to use for his recovery from a deadly illness. She is then faced with the consequences of her dishonest practice, even though her intentions were always honorable. Feminist ideas are clearly presented all through the play, but are most easily seen in the dependence society put on women, Nora’s changing definitions of freedom, and Ibsen’s portrayal of women as self-sacrificial and cunning, using society s view of them as a foil. Ibsen’s play, A Doll’s House uses Nora, the main character to portray how woman were treated in the 19th century. Nora’s husband, Torvald constantly talks down to her, as if she were his child, instead of wife, “HEL.
Shakespeares portrayal of female characters in the play Hamlet mirrors the way in which women were perceived in his day. The actions of the characters Ophelia and Queen Gertrude are often heavily swayed by the words of the male characters. In the play, the male characters think of the women as archetypes, who do not make choices for themselves, and thus the female characters behave as though they are helplessly caught up in the plot and unable to change their situation’s. Hamlets lover, Ophelia, is by far the most piteous character in the play. Although it was Hamlet who wooed her, and with whom she was intimate it is Hamlet himself who later chastises her for her impious actions.