‘The Gothic genre is based on the blurring of distinctions’ Discuss Gothic literature often uses the blurring of distinctions to explore the idea of oppositions and the liminal. Critics argue that the gothic aims to reveal “deeper wounds” which can be done through the blurring of distinctions, revealing to the reader that although it is easy to label things and set things, this is not always the case. This can certainly be seen in Bronte’s ‘Wuthering Heights’ as the fragmented structure and the settings prove that distinctions can become blurred. Similarly, in Shakespeare’s ‘Macbeth’, there appears to be a blurring of what’s right and wrong and what’s good and evil, particularly when considering the blurring of the supernatural and real world. In Carter’s ‘The Bloody Chamber’ gender roles and gothic tropes are subverted to show that nothing is set in stone.
Change is everywhere around us creating impacts on life whether they may be positive or negative. It alters physical, social, sexual, psychological, spiritual or environmental events which could either be planned or not. There are many ideas of change expressed in Alice Walker’s novel “The Color Purple” that bring about new perceptions of the concept of change. These ideas were not thought of in the previous insights of change. This epistolary novel, being written in first person, has given the readers a deeper understanding and emotion into inner personal changes, as well as changes in relationships and changes in religion.
The other is that the author endows unique meanings to a specific thing, which often take a significant place in modern works. In Heart of Darkness, the author adopts the latter. He himself puts an emphasis on symbol and regards that literary works should not be one obvious conclusion, but the rich layer achieved in meaning through the art of symbolism. Conrad utilizes the technique of symbol, leaving the story much room for the reader to imagine and to recreate the text for themselves. The title
At first, she was a happy, untroubled little girl without a care in the world. After describing the familiarity of the objects around her and her seeming possession of them, the author states “And owning them made her part of the world, and the world a part of her.” This choice of words at the beginning of the story indicates that she feels included in her world, and that she belongs. The statement’s diction dramatizes the fact that the girl believes she has an important place in the world. However, later in the story, her view is significantly changed. When at the candy store, she reaches to point to what she wants and the author describes her finger as “a little black shaft of a finger.” The choice of words in this statement reveals one of the first indications that the girl’s view of herself has changed.
The poem points to the paradox of naming: while naming is creative and powerful, it is also limiting. Once named, an object snaps into focus. But the name interferes as well: it comes between us and the object. We can think of the object now only through the name that has been attached to it. The opening line of the poem, “By naming them he made them,” connects “naming” with making (Page line 1).
Forth, they make large-scale applications of psychoanalytic concepts to literary history in general. Fifth, they identify a “psychic” context for the literary work, at the expense of social or historical context, privileging the individual “psycho-drama” above the “social drama” of class conflict. The conflict between generations or siblings or between competing desires within the same individual looms much larger than conflict between social classes, for instance. (Barry, 2002:105)Through a psychoanalytic study in Kafka’s classic, we hope to seek an explanation and justification for the events, and behaviors, by searching for causes in terms of the mental states of the author as well as the characters in the story. posted by Gioia at 8:19 PM Exploring Gregor's Transformation Using Sweeney's Essay Below is a free essay on "Exploring Gregor's Transformation Using Sweeney's" from Anti Essays, your source for free research papers, essays, and term paper examples.
Mitri Atallah Horton 4th period IB English Huck Finn Essay Final Draft In The Adventures of Huckleberry Finn, by Mark Twain, honesty and deceit play a crucial role in comprehending the plot and interpreting the essential events and their deeper meanings. There are a plethora of lies told throughout the entire novel. For Huck and Jim deceitfulness was necessary for survival. On the other hand, honesty is rarely told by the many characters in the story. The significance of honesty and deceit is evident in the novel and Twain excoriates human nature by showing that society requires honesty and deceit.
How was “truth” constructed as a dominant theme in Shakespeare’s Sonnet 138? Critiques like Alice Moore assert that Shakespeare’s use of paradox and repeated puns in his 138th sonnet effectively construct “mutual deception” as its central theme (15). While I find their points valid, I perceive a more profound subject under the lighter discussion of lies and deception. The sonnet’s conventions of diction and structure strongly amplify “truth” to be its more profound theme. By discussing their lies and deception the poet allows the readers into the hidden truths of the two key characters by the back door.
The writer is seen as a literary “prophet”, a “realist of distances” (O’Connor, 818), because he takes upon himself the task of explicitly illuminating that which most other texts merely imply, and thus the scales of meaning are tipped almost entirely in favor of the writer. Writers of grotesque fiction are thus those that go the greatest distance in bringing to the surface the intricate nuances of our existence by conjuring up characters (and situations) whose traditional physicality and/or personality is maimed and contorted under the burden of ideas trying to be elicited by the writer. It is as if the characters are the materialization of traditionally intangible concepts and notions. In traversing this distance, a necessary sacrifice is made of the intermediary subject matter that lies between the essential concrete needed to create the basic familiar outline and the deeper reality that is being highlighted. In part, it is simply a stylistic sacrifice that prevents the dilution of the deeper reality, where the absence of the familiar accentuates the presence of the extreme.
These notes serve against the author as they directly challenge. Even if the reader is a philosopher like Kierkegaard, or a learned and intellectual man like Conor Cruise O'Brien, these marginal notes are a challenge and threat for them, to explain more meanings and logical assumptions to the author. There is another meaning by these notes in margins, which is to argue and fight against the author and philosophers of the text. In the second stanza of the poem, Billy also provides a contrasting view to enhance the importance of margins and notes. He begins with considering these notes and comments as “offhand”, “dismissive” and “nonsense”, but he soon explained the importance of such notes for the reader.