Dangerous Minds Film Critique

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The film, Dangerous Minds, follows the story of Louanne Johnson, an ex-U.S. Marine. Set in 1989, the story begins with Louanne entering into her first year teaching at an inner-city school with underprivileged youths, where she explores the challenges of teaching her students, and the necessary steps it takes to reach them. The film Dangerous Minds puts too much emphasis on the character of Louanne as a savior for the children, sensationalizes the idea of “gang life and over emphasizes negative societal influence on teens living in the hood. The opening of the film shows you glimpses of poverty-stricken neighborhoods where homelessness and drug deals are an everyday occurrence. In fact, if you are not dealing drugs or part of a gang you are looked down upon. In the background of these images is the song Gangsta’s Paradise, by Coolio, which is used as a reflection into their lives and culture: “You better watch how you’re talking and where you’re walking, or you and you homies might be lined in chalk… I’m the kind of G the little homies wanna be like, on my knees in the night saying prayers in the streetlight. ”These lyrics build on the imagery of poverty where gang violence is prevalent, life chances are lacking, and tough reputations are necessary to survive. Louanne’s students are mostly minorities from working poor families, with little appreciation or desire for education. The kids seem to lack confidence in their ability to be more than they are due to their character and circumstances. On Louann’s first day of class, she is called “white-bread” and other negative slurs. In their effort to intimidate her into leaving, and therefore maintaining their freedom, they effectively make Louanne more determined to reach them. In order to obtain the attention of her students, and teach them in a way that they can understand and identify, Louanne begins to think

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