The replicants are artificial, the memories are artificial. Technology has well and truly taken over. Akin to Frankenstein, Blade Runner acts as a severe warning to the depressing future we may have if we try to push advances of science and technology further and further beyond the limit. As before mentioned, it is the hubris of the protagonists in each text that causes the highest diminution of humanity. In both texts, both protagonists seek earnestly to become God-like by taking on the role of creator, Frankenstein with the monster, and Tyrell with the replicants.
Victor Frankenstein and Walton are “mirrors” of each other. Walton longs so badly for knowledge and recognition for his scientific experiments, but Victor knows the danger of an obsession with science and knowledge. The parallels or “mirrors” between the two characters show to the reader that Frankenstein’s story is actually a harsh warning to not only Walton, but to society also. This forces the reader to take note of the serious tone in his story. Frankenstein also realizes this and feels he has to tell his story to stop Walton making the same errors in judgment that he has; hoping that he will ‘deduce an apt moral from my tale’(31).
Power & Dominance (Science and Technology) - over arching idea - everything isd linked back here and through that to the question creator and created - double-edged sword. Both Frankenstein and Blade Runner (800 words) the role of science and technology - Warning voice Context - shelley and scott portray their creators as hubristic figures who challenge the laws of nature and moral sensibilities of their time. while each of these characters alludes to promethean warnings regarding their acquisition of knowledge, there are a variety of aspects that differ and lend further dimensions of meaning........ tyrell lacks the benevolent aims for society where victor originally professes ...... unlike victor who only dreams of God like
(1) This is a process where people are artificially made and conditioned into certain parts of society. Natural birth is considered disgusting and freakish in this world, a world paved in concrete and artificiality. We can also see this in Frankenstein, Victor’s striving for knowledge he was not supposed to have led him to create an unnatural life from. While he does not think natural birth is disgusting, he does think he can make a better and more perfect being than GOD. With this belief Victor is throwing away the idea of natural occurrences being good, and saying that his creation from dead pieces of various bodies can develop an elite being unimagined by GOD.
Victor’s use of religious connotations when discussing his hubristic ambition and thirst for knowledge, is representative of the contextual fear that scientific advances will remove societal values of religion and the sublime. Shelley’s portrays of Victor aiming to expose the “secrets of heaven and earth… secrets which I desired to divine”. This is indicative of Victor’s challenge to the established values of the romantic period in his “desired acquisition of knowledge”. Shelley
Frankenstein was being written in a time when philosophers and writers such as Rousseau and John Locke where developing their ideas on the human condition. Rousseau’s Theory of Natural Human, which acknowledged that morality was not a societal construct but rather “natural” and “innate”, is questioned throughout the novel. Shelley examines the effect of society and knowledge on the innate goodness of the Creature, suggesting that he has become the monster that Victor sees him as because of the unwillingness of his creator to accept him and nurture him. The idea that humans’ innate goodness is tainted and polluted by society is present when the Creature expresses that his “sorrow only increased with knowledge” and this “increase of knowledge only discovered to [him] more clearly what wretched outcast [he] was”. The relationship between Frankenstein and the Creature is also paralleled with that of Lucifer and God and this is shown when the Creature, a symbol of humankind, acknowledges that “I am thy creature; I ought to be thy Adam; but I am rather the fallen angel, whom thou drivest from joy for no misdeed”, suggesting that had it been nurtured/educated, it would have become an
The theme of disruption refers to the unbalancing of what is natural, a theme which is explored and opinionated in Mary Shelley’s novel Frankenstein (1817) and Ridley Scott’s Blade Runner (Director’s cut), where ‘disruptive’ actions of individuals, involving the exploitation of nature, bring about [ironically] the character’s own downfall, and more importantly, an undesired outcome whilst playing god. The critical theme outlined in both texts is humanity’s desire for power which leads to the rejection of our natural world, and this, by extension, means turning to technology and other unconventional methods in order to gain knowledge and distinction. Shelley specifically cautions against scientific advancement and the obsession which follows
The Obsessions of Love, Hatred and Fame Obsession comes in many forms, but it’s the obsessions with love, hatred, and fame that can make or destroy a person. Obsessions can be put to good use when used as a tool to drive a person forward to obtain a goal. But more often they become a consuming force that blinds and stifles a person’s view purpose. In Mary Shelley’s novel Frankenstein, obsession is clearly evident throughout the story with the characters Victor Frankenstein and Robert Walton. It is these obsessions of love, hate and fame that eventually destroy Frankenstein and defeats Walton.
Innocence and purity are tarnished when pride is introduced into oneʼs mind. Benjamin Disraeli supports this by stating “pride ruined the angels.” When people have pride they will go to extreme measures to remove the flaws that surround them; this leads to them losing the morality and naivete that once established their being. The novel Frankenstein, by Mary Shelley, exemplifies the disintegration of integrity through her protagonist: Victor Frankenstein. At first, Victor was a pure and intelligent human who once held a great passion for science and wanted to pursue his dreams of creating life; however, once that goal was achieved, Victor isolated himself from his creation due to all its imperfections and the overwhelming feelings from failing himself thus diminishing his pride.
What is hegemonic in one society may not be hegemonic in another. I took superstitions in our society to be hegemonic; driving people away from their beliefs and making them practice silly things to avoid bad luck or to bring good luck. What is Superstition? According to Webster's dictionary, superstition is any belief that is inconsistent with the known laws of science or with what is considered true and rational; especially a belief in omens, the supernatural, etc. Superstition is primarily a faith-like understanding that a certain event happens because of another seemingly unrelated one.