While Falstaff’s ideals are pernicious, Henry’s condition is “to cold and temperate” and it is this very unsuitability to the throne that leads England to decay under his rule. He speaks contemptuously of “vulgar company,” “gibing boys” and “vile participation” in everyday life, illustrating his disdain for the common man. Simultaneously, he also idolizes Hotspur as “gallant,” “the theme of honours toungue,” and the “straightest plant…amongst a grove”. Yet in reality, Henry and Falstaff are both flawed role models, while Hotspur is also proven to be an inadequate leader. His ideas are deemed “dangerous,” “hare-brained,” and “uncertain” confirming that honour is not confined to valorous fighting.
Because of his position of superiority, he viewed the peasants as inferior beings. Facing his son’s demise, Gaspard is shown “howling over it like a wild animal” (Dickens 84). This scenario establishes the idea commoners are regarded as non-human. Dickens describes the Monsigneur as having a “face like a fine mask” (Dickens 83). Portrayed as a man of fine face, the Monsieur lacks visible evidence of hardship unlike then peasant living in extreme poverty.
Priestley uses a range of language and theatrical devices to criticise the selfishness of people such as the Birling family. To begin with, Birling shows his lack of understanding and disrespect for the working class. This is show. When he says, "If you don't come down sharply on some of these people, they'd soon be asking for the Earth." This shows a lack of compassion by Birling, as he only cares about his wealth and status, and the profits he can gain from his factories.
who hides and what is hidden? how does deceit function in the world of the play, and how does it help the play comment on life in general? a central motif in the play is trickery or deceit, whether for good or evil purposes. counterfeiting, or concealing one's true feelings, is part of this motif. everyone seems to lie; good characters as well as evil ones engage in deceit as they attempt to conceal their feelings: beatrice and benedick mask their feelings for one another with bitter insults; don john spies on claudio and hero; don pedro and his 'crew' deceive benedick and beatrice.
He is complicit in Dwight’s attempt to lure Rosemary; he finds that they are too deeply entwined to stop the prevent carnage. Dwight’s attempts to “improve” Toby and turn him into a “man”, highlight the extreme vulnerability and sense of powerlessness that pervade many of the surrogate father figures in the novel. Dwight constantly sets him up for ridicule. For example, he makes him “shuck” horse chestnuts without gloves, which is an incredibly difficult task. His fingers become covered with a yellow stain and people think that he is hygienically unclean.
(Of course all follows from his discovery that the polluters, who he thought were small, shabby local firms, are actually owned by rich corporations.) The movie, written and directed by Steven Zaillian, doesn't simplify the issues and make Schlichtmann into a romantic hero. He's more the kind of guy you refer to affectionately as "that poor sap." We hear what he hears: the emotion in the voice of one of the mothers (Kathleen Quinlan) who asks him to take the case because "all we want is somebody to apologize to us." And the heartrending story of how one of the boys died, told by his father (David Thornton) in details so sad that Schlichtmann is very deeply moved--which is, perhaps, not the best thing for his
Satire is used to criticise humanity’s creations, creating a mutual understanding between composer and audience. Through the use of literary devices, the flaws and hypocritical stances are identified within each text. This notion is explored in George Orwell’s allegory ‘Animal Farm,’ which is an allegorical representation of the Russian Revolution, illustrating flaws in our society with a mixture of black humour and critical attitude. The flaws of the human condition corrupt the dreams of Old Major. Napoleon and Snowball originally strive to fulfil Old Major’s dreams but due to the self centeredness of Napoleon, among others, the tenets of Animalism are systematically undermined throughout the novel.
9) Frankenstein's creature explains his anger, saying, "There was non among the myriads of men that existed who would pity or assist me; and should I feel kindness towards my enemies?� No: from that moment I declared everlasting war against the species, and, more than all, against him who had formed me and sent me forth to this insupportable misery." Important quotes - Monster “I ought to be thy Adam; but I am rather the fallen angel." Chapter 10 "I admired virtue and good feelings and loved the gentle manners and amiable qualities of my cottagers, but I was shut out from intercourse with them,
Do you know who my father is?” A long shot of a blinking, neon clown sign dwarfs Cher after she is abandoned by Elton; a symbol of society’s mockery and disapproval of her attempts to undermine an inherent system of class and clique. Emma’s high modality and contemptuous attitude when she claims that “the yeomanry are precisely the order of people… with whom I feel I can have nothing to do” confirms the inflexibility of class interactions. However, a change is evident in Clueless, where we see the power of notoriety and celebrity fracturing the boundaries of social cliques and class when the socially unacceptable Tai is popularised through her
Even though he has been selected as chief of the island, his voice was gradually becoming useless. The followers fancied an achiever like Jack, not just a speaker. Ralph's most important objective was to go gome, but the boys were too caught up killing pigs to realize that the fire had been left uncared for. Infuriated that the chances of being rescued vanished, the leader demands an explanation for the lack of responsibility. But at that instant, Ralph realizes his leadership lacks contron as he "...watched them envious and resentful" (Golding, 79).