Cubism Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. Cubism has been considered the most influential art movement of the 20th century. [1] The term is broadly used in association with a wide variety of art produced in Paris (Montmartre, Montparnasse and Puteaux ) during the 1910s and extending through the 1920s. The movement was pioneered by Georges Braque and Pablo Picasso, joined by Jean Metzinger, Albert Gleizes, Robert Delaunay,Henri Le Fauconnier, Fernand Léger and Juan Gris. [2] A primary influence that led to Cubism was the representation of three-dimensional form in the late works of Paul Cézanne.
A2: Post Impressionism The Post Impressionism Era began between 1880 and 1910. Many people believe it started as a result of an exhibition by Roger Fry called “Manet and the Post Impressionists” that occurred between November 1910 and January 1911. Artists from this period include Vincent Van Gogh, Andre Derain and Paul Cezanne. (Post Impressionism, 2015) (Vincent Van Gogh, 2015). The Post Impressionism Era artists used techniques derived from the Impressionism Era, but also showed passion in their art.
Abstract expressionism was first used as a term in art in 1919, when an Berlin artist Wassily Kandinsky works was described as abstract, but the real movement of abstract expressionism art didn’t really take off until after World War II, (1950’s), putting New York City, in the center of the art world. Abstract Expressionism began as a combination of emotional intensity and self-expression, and action painting. In 1943, Arshile Gorky (1904-1948) painted “Garden of Sochi. Which is the third in a series of paintings of his childhood memories. Jackson Pollock (1912-1956) used action as a form of abstract expressionism, in which paint is spontaneously splashed, smeared or dribbled on canvas.
EXPRESSIONISM In the artistic style known as expressionism, the artist doesn’t try to reproduce objective reality. Instead, the aim is to depict the subjective emotions that a person feels in response to objects and events. The style is characterized by the use of distortion, exaggeration, and fantasy to create vivid or jarring effects. As a movement, the term 'Expressionism' usually denotes the late-19th century, early-20th century schools of emotive or interpretive art, which emerged mainly in Germany and Paris as a reaction to the more passive style of Impressionism. In the sense that it was a reaction to Impressionism, we may describe expressionism as an example of "post-Impressionism".
This work was inspired by Inges “Turkish bath” and it is on eof the first examples of Art Deco painting due to the way the figures have been drawn; arabesque-ish long necks, bent wrists, almost sculptural. Dupas worked in Paris for most of this life. In 1925 he participated in the Grand Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris. This is where the term Art Deco was produced. One of his most famous paintings today, “Les Perruches”, which was in oil on canvas, was exhibited there.
Even though we think of cinema as a twentieth-century phenomenon, the art of animation can be traced back a lot further depending on your definition of the world. Sequential drawings of human and animation figures have been found on ancient Egyptian artwork a many prehistoric cave painting. However, a generally agreed definition of animation would probably be along the lines of “single-frame images viewed in rapid succession by some form of mechanism, to create an illusion of movement”. Pre -1900: The Origins of Animation 1824 – the beginning of modern animation can perhaps be traced back to a paper published by Peter Roget for the British Royal Society, titled “The Persistence of Vision with Regard to Moving Objects”. This theory refereed tot he phenomenon whereby the eye's retina retains an image briefly after it has disappeared, which means that if images are flashed in rapid succession they appear to the human brain as one continuous image.
His work may be found at the Metropolitian Museum of Art. Robert Rauschienburg was also an American pop artist. He was born in 1925, and, like most of the other artists in this essay, still ives. His work may be found at the Whitney Museum of Art and at the Modern Museum of Art. I chose to describe As I Opened Fire, by Roy Lichenstein.
Modernism Essay Modernism was an artistic and philosophical movement between the 19th and 20th century. The movement covers a variety of artistic styles, ideas and cultures including Impressionism, Secessionism, Post Impressionism, Fauvism, Expressionism, Cubism, Futurism, Constructivism, Surrealism and Pop Art. Each of these movements has influenced how Modern Art is portrayed and how it will continue to evolve in the future. The pioneers of these ‘isms’ struggled for innovation and were characterized as Avant-Garde. The first inkling of Modernism came after the French Academy refused 5000 works.
In the history of art, on the other hand, the student of modernism can expect to run a gamut from the French painting of the 1860s to the American art of a century later and may even be directed as far back as the later 18th century (Modernism, 2003). When I was reading the information about Romanticism in the text Gardner’s art through the ages, I became fascinated by a painting I saw, “The Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On).” This oil on canvas painting was
He emphasized elements such as line, colour, shape and texture. The Western painting what I chose to analyse is by Paul Cezanne called Lac d' Annecy completed in 1896. Paul Cezanne (1839-1906) was a 19 th century French artist and Post-Impressionist painter. The method I am going to follow is Formalism. It gives us the opportunity to see a painting in a subjective way and by this one can analyse the painting well rather then the Cultural history which is more ancient and less phycological.