Yasamin Roozbeh English 081 May 21, 2012 Wesley Hayden In the novel Montana 1948, Larry Watson tells the story of the struggles of a family torn between loyalty and justice. The identity of Wesley Hayden is explored and the different points of views of his brother, Frank’s sexual assault case add a new perception to the story. Wesley grows as a person because of the circumstances and misfortune he undergoes throughout the novel. Watson portrays Wesley to be a weak and brittle man, making him seem as though he cannot defeat anyone or anything that comes his way. Wesley lives under the shadow of his brother Frank and as the story progresses he is slowly escaping it.
Chris sticks up for Gordie and risks being beaten by the two older boys. The director uses Low angle shots of Chris trying to get the cap back off him, this makes him seem inferior and helpless in his efforts as the two older boy’s tower over him. This incident helps us understand the strength of the two boy’s friendship. The strength of the Chris and Gordie’s is especially noticeable when mid shots display two boys in convocation about life and the problems they are both facing. Gordie is faced with the neglect of his parents and feels like the “invisible boy at home” after the death of his older brother Dennie.
The book was written for his son Ramiro as an attempt to steer his son away from "la vida loca." Rodriguez carefully describes all his experiences of first being a victim, then being a victimizer as part of several gangs, then being a victim again when he moves away from the gang life. This is a story of self-discovery. A young boy finds himself thrown into a world that does not accept him; as a result he becomes a victim. Not knowing what else to do, he seeks protection through violence.
Joe’s father falls into a deep black hole of no return and in the end takes his own life in his shed. As a result, Joe learns nothing from his father except for the feeling of abandonment and how suicide is the ‘easy way out’. Joe feels cheated by his father too. Elijah and Walt, having both experienced Post Traumatic Stress have come to forgive themselves and have used Joe and Thao to finally let themselves free and in Walt’s situation something that has been bottling up for years and years. From this, both young boys learn about courage, the preciousness of life and about forgiveness.
At one point, when Chlomo was being beaten by Idek, he was ashamed of his father and he didn’t feel any grief for him. When Rabbi Eliahou’s son abondons him, Elie prays to God to never let him abandon his own father like that. Elie says “Rabbi Eliahou’s son had felt that his father was growing weak, he had believed that the end was near and had sought this separation in order to get rid of the burden, to free himself from an encumbrance which could lessen his own chances of survival. I had done well to forget that. And I was glad that Rabbi Eliahou should continue to look for his beloved son.
Dimmesdale is now “considered by his more fervent admirers as a little less than a heaven-oriented apostle” (109). It saddens Dimmesdale that people are losing faith in him, because of the transformation of becoming torpid towards his profession as a reverend. As Dimmesdale felt worse about himself, the townspeople thought that “if Mr. Dimmesdale were to die, it was cause, that the world [is] not worthy to be any longer trodden by his feet” (109). The townspeople still thinks highly of Reverend Dimmesdale and they all knew that if he were to die, there would be no hesitation of him going to
Cather uses symbols of color in her story to build the character Paul in her short story, “Paul's Case.” When explaining Paul’s feelings toward where he lives, “he approached it tonight with the nerveless sense of defeat, the hopeless feeling of sinking back forever into ugliness and commonness that he had always had when he came home” (168). Vainness is another feature that portrayed to make the audience feel as if he were one’s own son and deserved a beating; “Paul entered the faculty room suave and smiling” (164), shows a boy often having no respect for his elders. Cather portrays Paul’s character as a daydreamer who lives in a fantasy world and cannot come to terms with reality. He wanted to live the life of the rich and famous, “he reflected upon the mysterious dishes that were brought into the dining-room, the green bottles in buckets of ice, as he had seen them in the supper party pictures of the Sunday supplement”
His father is a high-ranking SS officer who, after a visit from Hitler (referred to in the novel as "The Fury", Bruno's misrecognition of the word "Führer"), is promoted to Commandant, so the family has to move away to Auschwitz. When Bruno gets there, he feels homesickness after leaving behind his three best friends for life, his home and his school. Unhappy with his new home, Bruno becomes lonely and has no one to talk to or play with. This is a traumatic situation for a nine year old boy. Only reason for this traumatic situation is to command better the jewish camp.
Many lives were lost during this journey. They reached the camp and shortly after his father died. Eli was finally freed after the Americans bombed that camp and freed him. At the end of the story Eli looked in the mirror and realized he would never be the same. Eli uses vivid details and depressing stories to engrave this mass murder of innocent lives on the hearts of the book’s readers.
Though, the story’s ending is ironic due to the sniper recognizing that the enemy killed was his brother. The greater irony is that all the sniper’s enemies of the Free State happen to be his brothers, for they were all once together as one army. In a deeper perspective, all men are brothers being that they are descendants of Adam and Eve. O’Flaherty uses symbolism in regards to the sniper and his brother to any war where one person killed another. It illustrates how despicable the human race can be when one member of it takes the life of