Critical Analysis of Wordsworth's "Composed Upon Westminster Bridge, 3 September 1802" in Reference to Early Modern London

1567 Words7 Pages
Seen as the glistening jewel at the heart of the great British Empire, the changes that were taking in place in the city of London in the eighteenth century were almost an antithesis to this in some ways. While the trading industry was booming due to the Industrial Revolution powering major advances into the city, the great writers and poets of the time were out to expose the reality of being in a London that Joseph Addison described as an “Emporium for the whole world.” (The Spectator) One such poet was William Wordsworth, who wrote the poem that will be examined within this essay. A man of rural lifestyle, Wordsworth’s commentary on the city was negative if it was ever mentioned, preferring to focus on the beauty of nature and rural setting. He even went so far as to describe the city as a “huge fermenting mass of human-kind” (The Prelude, Book VII). This derogatory comment seems to portray the city as a sprawling area of disease and deluge, “fermenting” into a city of corruption and despair for some, with a horrible smell to boot. However, in an unusual display of wonder, the Wordsworth produced the poem Composed Upon Westminster Bridge, 3 September 1802, a poem which seems to focus on the beauty of the city. The poem is highly peculiar for a rural man with a love for the beauty of nature. Written as a sonnet which typically emphasis the love and revering of a person, Wordsworth has given new life into a city that he so famously disregarded and which disgruntled him. However, on closer reading it is clear that there is a negative undertone underlying the reverential language, highlighting Wordsworth’s true feelings on the city at the time. An important note is that of the title itself, Composed Upon Westminster Bridge, 3 September 1802. Surprisingly specific in its dating and area, Wordsworth is documenting one moment in the life of the city, a moment
Open Document