Creativity, the Mind and Science

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What are the debates on the relationship between creativity, the mind and science? Discuss with reference to any of our discussions on the unconscious (Freud) or the mind and brain ( Flaherty). How do their concerns enable us to rethink the nature of creativity and its effects. “Creativity in science could be described as the act of putting two and two together to make five.” - Arthur Koestler The notion of creativity conjures a flamboyant plethora of visual images, enigmatic plot twists and novel inventions. The recondite essentiality of creativity cradles it frailly upon the cusp of society. Commonplace ideology assigns creativity to mirror an artistic faculty.However, as with every human condition, creativity forms an intimate association with the brain. Advancements in the field of neuroscience have endorsed elucidative insight into the anatomy of creativity and its nebulous relationship with science and the mind. The incertitude of this association emanates from the paradoxical paradigms supporting its understanding. A psychological perspective investigates the creative process and the individual actualising it instead of envisaging the actual creativity. A science standpoint converges upon tedious study of live organisms without in effect grasping life itself. Analogously, the creative process can be dissected and studied without its inception being wholly grasped. “ The neurology of creativity is starting to catch up with the strides that neuroscientists have made in translating other mental processes such as language and memory into more biological descriptions” - Flaherty. This essay will attempt to transverse the obscurity shrouding this debate and perhaps illuminate its pertinence in the natural evolution of society.1,5 Freud said, "Unsatisfied wishes are the driving power behind fantasies; every separate fantasy contains the fulfilment

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