Conrad’s Existential Novel

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“Heart of Darkness is one of our archetypal existential literary documents in which all is contingency” – Frederick Karl While sometimes viewed as a novel written about imperialism or insanity, Joseph Conrad’s Heart of Darkness is more accurately assessed as an existentialist work. Although the term “existentialism” did not exist yet, the ideas behind the future philosophical movement did already exist when Conrad published Heart of Darkness in 1902 (“Initial Publication”). Some critics might argue that because this term was not yet coined, Conrad was not influenced by existential thought. However, there is a general appreciation that Conrad “shares the existential view that any interpretation of the world simply reflects and individual’s experience of it at a particular moment” and moreover, that this parallel in existential thought and Conrad’s views is repeatedly shown in Heart of Darkness (Bohlmann 8). Specifically, Conrad’s characters in the novel exemplify facets of existentialism, and Scholar Leo Trilling claims that the novel presents an existential choice: “Man may venture, like Kurtz, into the wilderness of his inner world, and from his own weakness…topple into madness and immoral behavior; or man may gaze, like Marlow, at the bestiality, … and manage enough control over the turbulence to live a moral life” (Trilling 138). Heart of Darkness, through its fundamental coordinating ideas in existential thought, does, as Karl noted, prove to be an archetypal existential novel. Existentialism is a 20th century philosophical movement based upon the idea that existence precedes essence. The movement began in Europe with innovative thinkers such as Soren Kierkegaard, Friedrich Nietzsche, and Fyodor Dostoevsky and then grew highly popular in France in the 1940s with the writings of existentialist philosopher Jean Paul Sartre (“Existentialism.”

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