What do you think are the feelings about marriage in this poem and how does the poet present these feelings to the reader? In the poem 'A marriage', Michael Blumenthal expresses a clear view to the reader by presenting marriage as a positive affair which helps people to share burdens as well as progress their lives. At the beginning of the poem, Blumenthal implies that living on your own is a tire and an exhausting ordeal as he describes the arms as "tired". This word is repeated which exaggerates the misery of loneliness and implies that there is no end; this idea of there being no end is also expressed in "either your arms or the ceiling will soon collapse" giving out before the end. From this, it is clear to the reader that Blumenthal believes that being alone is painful and controlling towards you.
It also has iambic pentameter, its rhymed iambic pentameter lines, like its dramatic setup, remind us of Shakespeare’s plays and other Elizabethan drama. But it is about the inner thoughts of an individual speaker, instead of a dialogue between more than one person. It also shows the idea of a marriage and how there is standard life that people at this time followed, everything was simply laid out in front of them there was one way only for relationships to go. The writer for valentine uses very unusual language to express his ideas. He says “I give you an onion”, this is considered abstract symbolism because he is taking something that is never associated with love and claiming it to be more meaningful than “a cute card or a kissogram”, he sees them as cliché and not real.
He quickly begins to mention how short life is even referencing her ‘preserved virginity’ being taken when she’s dead as ‘worms shall try.’ He finishes by focusing on the present and telling her to make the most of the time that they have now, which hints at the use of sexual innuendo. The speaker presents an argument in these three parts, however there are several layers of meaning to this poem. To his coy mistress is a poem, and ghazal is an ancient poet form often used to explain the beauty and pain of love. ‘If you are the rhyme and I the refrain,’ this is use of music to describe to describe fate and the feeling of eagerness is unnecessary as she is aware that when the time is right they will become one with each other. It also has several forms of sexual innuendo similar to ‘to his coy mistress’
Frankenstein vs. Pygmalion: Similarities and Differences 3rd Period English Elizabeth Allen On the surface, the delightful play Pygmalion by G.B. Bradshaw and the novel Frankenstein by Mary Shelley are completely different. They were writing in different time periods in two very different settings; while this may be so, one can find many similarities by digging into “meat” of the two pieces of literature. There is a creator and a creation in both stories, which I consider the biggest similarity between them. Both have the same ideas, and both go wrong (one more than the other), and Pygmalion ends happier than Frankenstein.
However there is a change in tone of the final stanza. Courtly love is a central motif in “Les Grands Seigneurs”, evoking knights, castles, damsels and troubadours. However, courtly love is ultimately acknowledged as only “play”, which has to give way to the serious reality of marriage. There is an ironic tone to the poem, and a hint of black humour. This is a light hearted view of the gap between what we expect of relationships, and what we actually get.
In Frankenstein, “The Monster” is Frankenstein's creation. The creature possesses all of the qualities that humans suppress, or should suppress, as children: villainy, murderous thoughts, revenge, etc. Some people would have thought that Frankenstein wanted to replace his dead mother. Instead of doing what every other man does, marry someone like his mother, Frankenstein rejected Elizabeth, who was physically like his mother and had a history like that of his mother. Frankenstein wanted to recreate his mother, but instead he made a creature comprised of the socially repressed elements of Frankenstein (the monster) and his wish for his mother.
They are like one, so good together as she puts it. The adoring and passionate tone suggests the tenderness in the affectionate relationship between Bradstreet and her husband. In comparison to the poem by Anne Bradstreet, “Love is not all” by Edna St. Vincent Millay takes a much deeper thought to truly understand her view on love. The theme of love is present throughout both of these poems; however the style tends to differ. These literary works have the same style of writing; Bradstreet’s poem has more of a religious theme while Millay’s poem is centered around love as well but has a coy twist.
Donne’s use of double meanings in the language of the poem result in a reading where two ideas come together in interpretation Donne, in “The Flea” uses erotic, as well as religious language in order to communicate his thoughts concerning the relationship between marriage and love making. Lines such as “Me it sucked first, and now it sucks thee”(3), used in opposition to “Our marriage bed and marriage temple is”(13) convey the complex theme Donne inserts in the poem. What is Donne’s purpose when using the conflicting language? Donne’s work is studied as such containing satire. If the reader views “The Flea” as completely satirical, one comes to an interpretation containing validity, however simple in nature.
#98Mindy Carpenter Biscuits Of Love Poems on Life - Family Poems: A family dynasty is always based on love. And, perhaps, on biscuits, too. #97Michael Anderson Walking Alone Poems on Life: Two poets, one famous and the other perhaps of equal talent though certainly of less reknown, take a hard look at a not uncommon human condition. #96Lisa Teller Fifteen Crosses Poems on Life - Poems on Society: Columbine brought many nightmares - and a very special dream. #95Chase Standing Alone Poems on Life: Everybody is special, whether or not they believe it.
EMPOWERMENT V.S. OPPRESSION There are many different types of marriages that men and women can take part in which may have according gender roles which can lead to women having either agency or oppression. In Marji Satrapi’s graphic novel Embroideries, she contrasts the traditional and modern view of marriage via a conversation of women from different ages-each seeing marriage as a way to gain agency or a way to contribute to the oppression of Iranian women. In Juliet Williams’ Unholy Matrimony? She depicts a very analytical view of an Iranian custom of temporary marriage, sigheh and the ways in which it can empower women or oppress women, depending on the type of marriage and the time it takes place.