Though they do not always work in concert, each of these societal institutions in some way present obstacles for Romeo and Juliet. The enmity between their families, coupled with the emphasis placed on loyalty and honor to kin, combine to create a profound conflict for Romeo and Juliet, who must rebel against their heritages. With evidence from one of Romeo and Juliet’s most famous line; “O Romeo, Romeo, wherefore art thou Romeo?” (II.ii.33), it is manifest that the ancient grudge serves to create a dramatic obstacle which demands the lovers to rue their roots and rebel against authority, in context of their families. This is expressed in a well-known phrase; “What’s in a name? That which we call a rose/ By any other word would smell as sweet;” (II.ii.43-44).
Medea’s extreme emotional attachments can only be expressed through extreme measures. Circumstance causes her to fall in love with Jason, and when she does, he becomes the centre of her emotional universe — even when he spurns her and that love turns to hate, the man continues on as the zenith in her heart, the motivation behind her actions. When Jason takes another wife, Medea can no longer justify the wrongs she committed in the name of their love. The sheer force of her grief and remorse inspires her to ‘surrender to anguish’, and she gives voice to wretched lamentations that outline her vicious intent towards the royal house. Fearing that Medea will do ‘some irreparable harm to (his) daughter’, Creon banishes her from his land, setting in motion a chain of events that lead to the final tragedy of the play.
Jealousy is an emotion and it basically refers to the negative thoughts of fear over a loss of something that the person values such as relationship or love. Jealousy can break your friendships and marriages due to several problems and it can cause a lot of pain. In Jealousy you get out of control and do whatever your mind says to do even it’s right or not. It can last as long as you want to be. Jealousy in Othello results in the tragic ending like in the beginning of the play, Iago was jealoused of Cassio because he wanted to get Cassio’s position as a lieutenant, Rogerigo was jealoused of Othello because Desdemona loves Othello and not him and Othello was jealoused of Cassio because he thought that Cassio loves Desdemona more than him.
All three villains may differ in many ways, yet it seems they share a common urge for power, control and a use of sadistic measures. Jealousy is a very powerful emotion that can cause resentment and envy, creating strong anxieties in villains. This enviousness is a common motivational force for socio-paths. Both Iago and the Duke take on this form of motivation, in order to justify their actions that lack morally-correct social behavior. The Duke’s duchess is flirtatious in nature and this displeases the Duke “Sir, ‘twas not her husband’s presence only, called that spot of joy into the duchess’ cheek”.
Misfortune in Othello Often people come to harm due to victimization, while others are the agents of their own destruction. In Shakespeare’s famous play Othello, all characters associated with the protagonist suffer a tragic end. Othello is a prime example of depicting various characters and how each comes to demise due to a personal critical weakness. The three most unfortunate characters: Roderigo, Desdemona and Othello have qualities that best demonstrate how they bring their individual misfortune upon themselves. Roderigo opens up the play in Othello with lines that already develop his character.
She is asking him if he wants to be king or not, and if he is to be king he must commit regicide. By telling Macbeth this, she is his doubting his manliness, and his ambitions. She goes further to say that she would make a better man than he: “I would, while it was smiling in my face,/ Have pluck'd my nipple from his boneless gums,/ and dash'd the brains out, had I so sworn as you/ Have done to this” (Act I, Scene vii, Lines 56-59) As a result of this verbal abuse and pressure, Macbeth ends up killing Duncan that same night. This shows us that Lady Macbeth's ambition is greater than Macbeth’s, because while he hesitates and is distrustful of his powers, she never wavers. She needs no supernatural temptations to urge her on.
She enters the play as a woman whose greed initiates cruel thoughts of murder. To manipulate Macbeth into assassinating Duncan, she verbally assaults him by undermining his manhood: "When you durst do it, then you were a man / And to be more than what you were, you would / be so much more the man" (1.7.56-58). She declares that if she is in Macbeth's position, she "would, ... dashed the brains out, had I sworn as you have done to this" (1.7.64-67). She is one to discuss matters rather than taking action. To avoid the consequences, she cowardly does not do the deed herself but instead manipulates Macbeth.
How does Shakespeare attend to the problem of knowledge in Othello? My thesis is that there is an epistemic crisis in Othello. Tragedy is an epistemological problem. It is the outcome of the problem of knowledge. Thesis underlines the notion that the play has an attitude towards the audience.
Othello is an Instrument of Divine Lightning too Often in life when people are faced to deal with a difficult situation, the people surrounding them suffer as well. This is demonstrated by many works of literature, and in particular, by tragedies, in which the suffering of the tragic hero brings troubles and pain on those around him. William Shakespeare’s Othello exemplifies this through Desdemona and Cassio’s downfalls, both of which are brought about by Othello’s jealous and impulsive nature, proving that one shouldn’t blindly trust others like Othello does which causes him to become an instrument and not just a victim,”…of the divine lightning,” of fate. Although Desdemona is Othello’s wife, his envious nature and rash disposition hurt Desdemona perhaps the most and even bring about her death although she is completely innocent of the adultery which Othello suspects she has committed. To convey Othello’s disdain for Desdemona’s supposed infidelity, Shakespeare uses an animal motif which is present throughout most of the play.
Shakespeare uses it as opening lines to introduce the idea of love being harmful and painful from the very beginning of the play, truly making it a theme throughout the play. It conveys to the audience that he doesn’t want to love her but can’t seem to help it, which in turn makes audience question if they would love if they had a choice in it. Shakespeare creates a sense of Pity for Orsino and his situation in the audience, with him almost physically hurting because of the strength of the emotional pain love is causing him to endure. As many people will have felt a similar way before – if not as intense a pain – from the very start of Twelfth Night we can empathise with the characters.