| My Favorite Mr. B in Music | Pamila Besaw | | Music Appreciation 1101 | Monday/Wednesday 9:30 | Dr. Clayton Turner, Instructor | My Favorite Mr. B in Music A musician that joined the ages, Leonard Bernstein’s talent spanned centuries, from the Classical Period, to Romantic Period, to Twentieth Century and Beyond. He started his musical journey with very little encouragement from his family. Through his intense drive for learning music, he became one of the most talented musicians of the 20th Century. Bernstein loved classical music and wrote many classical pieces, but he truly thrived and excelled in his romantic feel of music. “He was among the first conductors born and educated in the United States of America to receive
This song was very loud and powerful. The Delta Symphony followed this song with “Romance” by Antonin Dvorak, which was my personal favorite song during the concert. I had never heard this song before, but I enjoyed it very much because it was whimsical. There were no boring parts in
October 12, 11 Cynthia Gannon 580 Broadway Lynnfield, MA 01940 Dear Nana: I truly enjoyed our interview on Sunday October 16, 2011 at your apartment. It was very interesting to talk about your generation and how it compares to mine today. As you and I were eating, the first and only topic that came up was music. During your generation, the only way of listening to music was records and record players. So, you would have to wait along time for new music because artists were producing new records.
Concert Review Essay The most impression and brilliant concert I have ever witness was on February 29, the Jazz Ensemble at Georgia State University. They had their first concert of the spring semester. A young and nice girl named Kimbra who also the youngest performer took the stage first with a pleasant. She appeared very cute and had a great stage presence, but during this first song I felt as if she wasn't reaching the full potential of her voice. Next was Eddie Perfect, who received quite a lot of applause upon entering the stage.
Emmaneul Mensah Caitlin O’Neil Music 150 3 – 31 – 2010 Midsemester Paper The performance by Lowell Lieberman Concerto for Clarinet, orchestra, and the Beethoven Emperor Concerto by Jon Nakamatsu, piano soloist was quite a spectacular performance. Both performances were very entertaining and professional as well. In the commencement of the show, I was anticipating seeing some kind of unexciting show, but as the show progressed, I found it to be very interesting through their interaction with the audience. I became very attentive to each performance they displaced and often found myself drawn in by their performance. Both musical performers incorporated unique musical elements such as melody, harmony rhythm to mention a few.
Colbie Caillat On Aug. 21, 2012 I had went to Colbie Collibet and Gavin Degraw concert at the antelope valley fairgrounds. It was my first time seeing these two artists and they did not disappoint me at all. I love going to shows where the co-headliners or main interact with not only the audience but with each other's performance. Colbie’s voice was sweet and sensual that it makes me want my hubby to be at the show with me! Her songs make me want to fall in love and to be loved all at the same time.
Vienna recognized Beethoven as a great pianist and he became very popular. In 1795, he wrote his first works with opus numbers which were the three piano trios. He supported himself by giving lessons, selling his works, and gifts from aristocratic patrons. This was very unusual for musicians of his time because they normally joined the church and became clergy to gain income. In 1801 Beethoven started loosing his hearing.
The first concert report I am doing is the one I attended with my fiancée on September 14 of this year at the House of Blues in Los Angeles. The Group that was preforming was Stone Temple Pilots which happens to be her all-time favorite group. I can start by saying that the atmosphere was pretty laid back with a lot of people in my age group attending. As this would be my first concert of my life, I really didn’t know what to expect while I was there. I was also surprised with the amount of music I knew from them.
Unlike typical chamber music, the violin and cello shared equal parts in Duo for Violin and Cello (1932). The piece overall, as the Parnas sisters explained prior to playing, has remnants of Asian texture and tonality and is very dynamic and rhythmically driven. This became very clear in the first movement. As a member of the audience I was captivated. The movement sounded almost violent and rugged while being played allegretto.
The movement continues with trio cast scherzo, thus turning into humorous bounces and assumed martial drive. One could say that because of this the music is kind of “Perky” for some reason. Andantino Quasi Allegretto of the third movement opens with a somehow kind of a dialogue among the strings that in gradual, faint degrees that introduces the rest of orchestra; for example could be taken from its wind that enter by quietly doubling the string so that their presence is realized almost only after the fact. A vocally that’s flowing, concentrated “wedge” figures introduces more rhapsodic and expansive part, characterized by beating harmony and frequent parallel motion in the instrument that provides a shown part of medievalism. A quiet