The Positive Effects of Westward Expansion There were many changes in the United States during Westward Expansion. Though many changes were negative, the positive things outweighed the bad things. Without Westward Expansion the US would never be the strong, independent nation it is now and we gained almost one third of the land that we own now. Also, another positive effect on the United States was the California Gold Rush, which brought diversity to our country and created jobs. After all of the bad things that our country went through, we came out as a stronger nation.
It has become an enduring description of the industrial moguls of the nineteenth century. It conjures up visions of titanic monopolists who crushed competitors, rigged markets, and corrupted government. In their greed and power, legend has it, they held sway over a helpless democracy. Hide Full Essay But here’s the strange part: That’s not what Raymond meant. He compared Vanderbilt to medieval robber barons because he preyed upon monopolists.
He proves his racist nature when he says to Brabantio, “Even now, now, very now, an old black ram is tupping your white ewe.” (Act-1, Scene-1, 90-91) He also says that, “… your daughter and the Moore are now making the beast with two backs.” (Act-1 Scene-1, 117-118) Othello in Ashland didn’t do as good of a job portraying how Othello is in Shakespeare’s original play. He does go into fits of passion and rage, but also overdoes those fits. He screams and shakes more like he is having a seizure than a fit of passion. He also spits and drools which kills the seriousness of his role in the play. Othello does do a good job of portraying the lack of self confidence, and at the same time the arrogance that Othello has.
How does Michael Moore use the techniques of Satire in Bowling for Columbine to achieve his purpose? By using film techniques such as irony, juxtaposition and sarcasm, in a remarkably powerful way, Moore leads the audience through a deeply emotional and informative journey in his film, bowling for Columbine. He clearly highlights the flaws in American society and the terrible fact, that American gun culture is based upon fear which is leading to the knocking down of much of their society. Through these techniques, Moore invites the viewer to reflect on the values and attitudes about human frailty and depravity and to question whether the gun laws in America need to be altered. Moore outlines the flaws in American society simply by using juxtaposition as a technique of satire.
However, as the film continues the altercations in the plot become progressively more dramatic and bring out the realization of the truth that dominates society. During the final conflict when Radio Rakhim is killed by NYPD and Sal’s pizzeria is destroyed, the unrealistic cinematography that was prevalent throughout the film disappears and the harsh reality of racial conflict settles into the viewer’s emotions. This brings out feelings of disgust and sadness because the final confrontation arises over a radio and a picture on the wall. The causes of racial based disputes throughout the film are caused by trivial issues like scuffed shoes, music and pictures on the wall. Spike Lee presents the roots of the various conflicts as minor and insignificant in order to parallel the issue of racism, which is fueled by culture, background and skin colour.
Yet Moore's ego is entertainingly punctured when he is shown as a smug liberal martyr attempting to destroy Team America's headquarters - by rigging himself up as a suicide bomber. Again, a breathtaking moment of offensiveness: a veritable chain-mail fist through the paper-screen of celebrity correctness. It wasn't that long ago that Michael Moore, in his anti-gun documentary Bowling for Columbine, was interviewing Matt Stone, and generally praising him to the skies as a fellow satirist. And this is how he is repaid? Oh
Relentlessly raw, observational and insanely witty in its subversive quirkiness, Cellmates (originally entitled “White Knight”) hits its mark as an off-kilter satirical laugher laced with Coen Brothers-esque vibrancy. Writer-director Jesse Baget (“Wrestlemaniac” aka “El Mascarado Massacre”) and co-writer Stefania Moscato deliver an unlikely clever and heart-warming story of an imprisoned racist rogue in Texan Ku Klux Klansman Leroy Lowe (a surprisingly riotous Tom Sizemore) and showcases his eventual redemptive vibes en route to the road to racial salvation. As an Arizonian-bred filmmaker, Baget is able to capture the underlying tension, outrageousness and nonsensical hysteria recently bombarding the national headlines concerning immigration issues, Hispanic-oriented causes, Spanish language barriers and other xenophobic preoccupation. If anything, Cellmates’ caustic campy humor is timely given the political jingoistic sentiment running amok. What could have been considered a clichéd and callous prison yarn about cartoonish caricatures under the shock value banner of racism is actually an inspired and wacky yet shrewd comical commentary on fear and ignorance.
Men who lived on the American frontier were seen as tough gunslingers - rough skinned and independent. Alcohol and revolvers were their companions. But Stephen Crane's The Bride Comes to Yellow Sky turns this stereotype on its head by showing the world through the eyes of John Potter and Scratchy Wilson, contrasting these two characters and their motivations and finally using a suspenseful plot that mimics the typical Western tale right until the surprise ending. Crane's omniscient narrator allows the reader to get into the heads of both John Potter and Scratchy Wilson, which gives the narrative a different flavor than the typical hero-centered Western story. In stereotypical Westerns, the focus of narration is the same as the focus character, meaning the reader would only see the world through the eyes
King’s would face his greatest adversary, the FBI and their tactics use to bring down the civil rights movement. King’s criticisms incensed the FBI’s director, J. Edgar Hoover, who initiated a vicious campaign to discredit King.13 Dr. King, attacked the FBI for sympathizing with the southern segregationists, fraternizing with the local police, and failing to apprehend Klan bombers and murderers.14 Appalled by the rise of the civil rights movement, Hoover singled out King, its primary symbol to stop.15 Although the FBI made malicious attempts to discredit Dr. King, they could not stop all his achievements relating to the nonviolence
The story Marriage is a Private Affair by Chinua Achebe has a villain named Okeke. His stolid look on things made it hard for him to keep an amicable relationship with his son. Harrison Bergeron’s, by Kurt Vonnegut Jr., villain would be The H-G men. They go to extreme actions to provide equality. The Judges in The Pit and the Pendulum by Edgar Allan Poe are considered villains because of how they torture innocent civilians.