This rebirthing period brought forward a new culture of humanistic values of Christianity, new ideas in science, philosophy, and politics as well as in literature and the fine arts. This was also a time of hierarchy, whereas, the social status of your parents deemed your place in society. In this Renaissance period of history, we find such great painting artist such as Leonardo Da Vinci, known for his painting of “The Last Supper” and the “Mona Lisa.” His work has demonstrated distinction and precision of the humanistic side of the characters in his paintings. It has great definition in the details of emotion and expression, included in the facial features, attire and surroundings. He captures the realism in both paintings.
Ghiberti was originally trained as a goldsmith and his work always contained elements of the International Gothic style. He was also a designer of stained glass, an architect, a bronze caster, a writer and a collector of Classical sculpture. Ghiberti’s work marks the changeover from the International Gothic to the Renaissance style. Ghiberti’s contribution to the development of Florentine Renaissance sculpture is shown in his relief sculpture. There are many innovations Ghiberti applied when making the sculptures for the doors.
Formal analysis of Roman sculpture is being able to describe what you see using conventional and subjective artistic terms. The content of a subject’s character often leads to different kinds of stylistic conventions used to portray them. For example in this marble bust of Marcus Aurelius that “exemplifies the perfect ruler” or “Philosopher King” he is portrayed with thick large organic curls that cover the top and back of his head and reach down below his ears and connect with his beard in a kind of visual unity. The way the course uneven curls on his head and the hairs in his beard follow flowing dynamic and asymmetrical lines that overlap one another, seem to communicate the artists’ intention to portray the emperor as close to his real form as possible. I believe this bust due to the amount of detail surpasses most pieces that would usually classify it as naturalistic; therefore this bust must then be defined as a form of realism.
Both figures are exquisitely crafted and detailed; their bodies look immaculate and sculpted to a serene perfection. The background of the painting shows columns, relatively large columns at that. They are both Ionic and Doric in stature and are surrounded by ox skulls. “Gossart likely based this fanciful setting on sketches he had made of architectural structures while in Rome.” The detail and focus on not only main characters but the surrounding scene as well strongly suggests the notion of Baroque art. Jean Clouet of France painted Francis I in 1525 and rendered a painting that is different from other portraits of times before.
Ancient Rome is defined by their unique arches, vaults, and domes. These arches, vaults, and domes were created by masters of art and design with one thing in mind, beautiful but functional design. This paper will describe the landmarks of the ancient Roman empire. Chosen Topic As I researched ancient Roman architecture, I was intrigued by their complex engineering, and I became curious about their building techniques. The ancient Roman empire and its’ landmarks interest me because of their uniqueness, complexity, and skills.
In David compositions, it is evident that the costumes, the events, the characters, the themes and the settings fit uncontestably in an historical contest, with all it beauty. His historical compositions represent a strong sense of gravitas, as well as a certain rhetorical quality of posture and gesture, along with patterns of drapery that owe much to Greek sculpture. It
David is very famous for his work of art called Oath of the Horatti. In this picture you see David trying to show off the bravado in the scene which many artists liked to do on their canvas. Realism comes into place and is known for the subjects as they appear in everyday life. It’s what the eye can see with stuff that is going on like real life characters, situations and true life occurrences. Courbet was a French painter who led the realist movement.
), there’s a tremendous amount of detail put into it, and perhaps one of the most defining features of it is that it has got the patron in it. Since it was commissioned by someone besides the church, they wanted to be put in the piece of art that they paid to be painted. The patrons of the altarpiece appear on the far left side, as if they were part of the scene itself. Now we have Italian renaissance art. Some defining characteristics of it are that it is very classical (drapery tends to cling to the body, revealing the perfection of all the idealized bodies), they used plenty of linear perspective (whereas Northern art was more medieval, so they didn’t much care for that), they liked using illusions in their work, and they didn’t have patrons in their work because the church usually commissioned all the art.
Byzantine art relied on heavy line work and vibrant colours to capture the viewer. Giotto brought new life to the table in his artwork by steering away from flat imagery and adding depth and realism. It must have felt like an awakening to the artists working in Europe at this time. Influences Giovani Cimabue was a Florintine painter and a master of the Byzantine style himself. Giotto is fortunate enough to have Cimabue see the potential in him and take him under his wing as an apprentice.