“rain had called up tall recruits behind the shed,” this quote shows the father cannot destroy them .They differ in the way they felt powerless however as in Nettles the father is feeling powerless because of a physical threat whereas in Harmonium it is an emotional threat of the inevibility of death and unspoken feelings that makes the writer feel powerless. Furthermore they both include the reality of family life as the poems are realistic and the poems, especially Nettles, have both the love and misery of family relationships. In Nettles the love in the poem is the protective instincts of a parent towards his son but the misery is the Nettles that had hurt his child and the fact that being protective isn’t enough to stop him from getting hurt. The realistic relationship in Harmonium is the family resentment and frustration from a son to his father. We can tell that the writer resents and is frustrated by his father as it says “and he being him can’t help but say.......... and I, being me” which shows that he is frustrated at their relationship.
The extent to which relationships equate to fulfillment is demonstrated within Romulus my father through retrospective analysis of Gaita and Romulus’ early relationship where Gaita alludes to his positive father son relationship as a primary factory for his present day fulfillment. The text emphasizes the composer’s positive moral values being inherited from his fathers consistent loving, harsh and instructing nature. Demonstrated through Gaitas recollection that ”three things fed my fathers anger: his knowledge that I was lying, his fear for my character and his dismay that he had lost something precious”. Gaita recognizes that the strength of their relationship was due to his father’s persistence. The fear of loosing his son led Romulus to attempt to better himself, seen through the statement “My father didn't tell me how to live; he lived, and let me watch him do it.” Although this method of parenting gave short-term dismay demonstrated through Raimond’s childhood outburst “you don’t love me”.
Similarly in The Duchess of Malfi, when the Duchess’ attempt to deceive her brothers and conceal her marriage leads to her death. However self-deception is also a recurrent theme in both of the plays, in Othello, it can be argued that Othello’s self- deception proves just as destructive as Iago’s, as by deceiving himself of his true nature and labelling himself as “one not easily jealous,” he continually supresses his feelings of inner turmoil until he breaks under the influence of Iago. F R Leavis agreed with this stating, “The mind that undoes [Othello] is not Iago’s but his own.” The role of deception would be nowhere near as essential to the play without the influence of Iago; described by AC Bradley as the “artist of evil” his ruthless manipulation of the other characters in the play ensures not only the destruction of Othello, but his own. Self- deception plays a crucial role within Othello and The Duchess of Malfi; it allows the audience to see further into the characters personality and gain a deeper understanding of them as a character. Othello himself is the most palpable example of self- deception within the plays as from when the audience is first introduced to him in Act One Scene Two, he believes
Lastly, Edgar’s crucial act of mercy led to his father Gloucester reaching an epiphany, that he was wrong by trusting Edmund. All three topics are relevant within Act IV and show how mercy is a critical aspect to life. I believe that mercy highly outweighs justice; mercy is the single most important quality to humankind which brings out peace. Whereas justice leads to an ongoing cycle of violence where nothing can get solved First, the mercy that King Lear willingly shows to Cordelia restores relationships. He openly states mercy towards Cordelia and says: “You do me wrong to take me out o’th’ grave: Thou art a soul in bliss; but I am bound Upon a wheel of fire, that mine own tears Do scald like molten lead” (IV vii 45-47) This statement portrays how Lear admits that he was wrong in the past.
Are You My Father? Study of Troy Maxson Troy Maxson, in August Wilson’s play Fences, is everyone’s father. He defies time and race. He is both a villain and a hero. He “had by circumstances become nearly impossible to love.” (Rich 822) He is shaped by his circumstances and experiences.
Thomas More, the main character in the play is a man of integrity; he is loyal friend to the King and a devout Christian. When King Henry VIII, confronts More and proclaims his desire to divorce Queen Catherine of Aragon and marry Anne Boleyn, More has no choice but to oppose the King. More’s refusal to take the oath is Bolt’s way of asserting that even under the greatest of pressure man can resist and stay true to himself, without ‘selling out.’ It is clear that not every man has his price, as assumed by Richard Rich and his recognition of Machiavelli’s writings, “Every man has his price.” More’s constant strong devotion to his beliefs, morals and values, is what truly makes him a ‘man for all seasons.’ Values and morals are instilled in people as they grow up, however the extent to which people choose to abide by these principles can be affected by a man’s personal and selfish desires. Whilst More stands as a symbol for selfhood and virtue, several other characters are shown to be disloyal and easily manipulated when placed in tempting circumstances that may allow them to achieve self-advancement and fulfill their selfish desires. Clear examples of this are shown through both the characters of Richard Rich and the Common Man.
Unfortunately, Doodle was no match for his brother’s aggressive and selfish actions. In the end, Brother’s pride is to blame for Doodle’s untimely death. Brother’s pride was responsible for his opinion of Doodle. At times, Brother was kind and loving to Doodle, but the reader soon realizes that the narrator was mostly harsh and cruel to his brother. In the beginning of the story, Brother recounts the day Doodle was born, saying that he was a disappointment as soon as he entered the world.
Clearly the hatred that they feel for one another is expressed through their behaviour and the words they use for each other, such as when Oliver insultingly calls his brother a "boy" and he tells the Duke that he hates Orlando just as much as he does, knowing that this will be bad for his brother. However, the power of the Forest of Arden to transform characters is shown strongly in Olvier's change of heart and his softening of his attitude towards Orlando. Through what he sees and learns in the forest, and through meeting Celia, he comes to love his brother and regret his past actions towards him, even wanting to give the estate and wealth of their father, that previously he had kept to himself, to Orlando alone: It shall be to your good, for my father's house and all the revenue that was old Sir Rowland's will I estate upon you, and here live and die a shepherd. Thus by the end of the play, one of the central conflicts, that between Orlando and Oliver, is resolved as they are restored to loving siblings, which is in direct contrast to how they began the
Vereen M. Bell states, “Hindley cannot forgive Heathclff for unsurpuring the love of his father, so once he master of Wuthering Heights he sees that Heathcliff is methodically humiliated and degraded” (Bell). Catherine, however, accepted Heathcliff and liked him from when he first came to her house. She liked to spend time to him. She even began to love him, Catherine states that, “My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff!
Hence, Chris Keller has every reason to feel as guilty as his father because while Keller’s guilt lay with his wartime misdeeds, his guilt lies in his hypocrisy, betrayal of the family and his implicit participation in Keller’s crime. Chris Keller’s hypocrisy in upholding his duty towards society is slowly introduced as the play’s structure showcases him as an upright individual in Act One, an individual who has forsaken his values for his personal interest (Ann as his love interest supersedes his concerns) in Act Two. In Act One, Chris is portrayed as having strong commitment towards acting for the overall good for everyone over self-interest. Chris’s commitment towards sacrifice is made clear when he tells Keller “Every time I reach out for something I want, I have to pull back because other people will suffer”. The usage of the absolute term