Shmoop Editioral Team acknowledges the speaker's experience with romantic “desire”. “Desire” has taught him that passionate or hot emotions like love and lust would probably have the ability to turn the earth into a big fiery fireball (Shmoop Editorial Team). He has also experienced the other extreme, and he knows that colder emotions like “hate” “Is also great / And would suffice” (8-9). Frost uses many techniques, musical devices, and figurative language to convey the meanings in the poem. One technique he uses is connotations in the word “fire”.
Jane's first reaction to Thornfield itself, destined to fall victim to fire, is to be "dazzled" by the "double illumination of fire and candle", just as she is later to be "dazzled" by the fire of Rochester himself. On one level, this "fire" is the Romantic fire of passion that seizes Rochester and Jane (the use of "fever" to describe passion that occurs so frequently in the text has, in the context of
In both poems the reader can see the use of a narrative, with Douglas reminiscing of the day he came across the dead German and the photo of ‘Steffi[4]’, and the description of a gas attack seen in Owen’s poem. The similarity in the two poets’ styles is seen in the use of the narrative, however, the way in which they actually describe them is very different. Owen’s description of the gas attack in the second stanza is very powerful and quick in pace with the use of exclamation marks and capital
The techniques that Sassoon has used in the poems are: imagery, simile, metaphor and onomatopoeia. A good poem may lead to sadness, joyful or simply wandering, but it always leads us to think more deeply about life for the following reasons: Firstly, it creates emotion; secondly, it shows us the brutality of war; and finally, hardships faced by soldiers and also by showing about death. Through this it becomes evident that a good poem may lead to sadness, joyful or simply wandering. A good poem may lead to sadness, joyful or simply wandering because it creates emotion. Emotion refers to a natural instinctive state of mind deriving from one's circumstances, mood, or relationships with others.
This can be seen in the poem ‘Music’ where in particular, Owen’s use of pathetic fallacy reveals to us the narrators true feelings. Therefore we are able to see that one’s emotional state of mind is projected onto his perception of his surroundings rendering music, which is an entirely subjective and state-dependent phenomenon. Accordingly, we can see this through the metaphor, “Drunk their mellow sorrows to the slake”, that alcohol is like music as it is also very state-dependent. The assonance of long and soft sounds in “mellow sorrows” may be suggesting that these soothe his pain, however could also prolong his pain as well. Owen conveys the idea that by using music and alcohol to relieve your pain is an outdated method, which we can see through the archaic diction “slake”.
However, both feature separate techniques to provoke reactions from their audiences. While Owen uses an ironic title and dark tone to shock his readers, Jim Bauer, uses nonsensical syllables and a hostile second-person perspective to achieve this same reaction. Perhaps one of the most important factors in comprehending both poem and song is the meaning of the line, “Dulce et decorum est pro patria mori”. From a collection of Latin poems by Horace, written almost 2000 years ago, the phrase is translated as: it is sweet and becoming to die for your country. This was the philosophy of many during the time of the First World War.
After reading war poems we are able to get a true idea of how horrific war was and learn of its negative consequences. The main idea in war poems becomes apparent when reading Wilfred Owen’s poem, Dolce et Decorum Est. In the last stanza, the lines: “My friend, you would not tell with such high zest to children ardent for some desperate glory, the old lie: Dolce et Decorum Est, Pro Patria Mori” demonstrates the main idea. ‘Dolce et Decorum est’ is a Latin saying, which means ‘it is sweet and right’. The poet is saying that people should not talk about war as enthusiastically as it gives the impression that war is glorious.
This idea is taken away in the second line when Pope says that trivial things are the cause this horrible event. The diction in the first two lines goes from being broad and powerful to being small and petty. While Pope uses objects and events to directly compare important and trivial things throughout the poem, he also takes advantage of the diction to indirectly show this comparison to the reader. While the first two lines of the poem provides a small summary of the mock epic itself, it also gives you an insight into how Pope’s carefully crafted diction is the underlying foundation of this mock epic. The first canto the main character Belinda is introduced.
Through his use of verbal language techniques and devices, Shakespeare develops loving as an unwanted, painful, disease throughout his play Twelfth Night that ultimately can turn men into monsters. He both conveys this warning to the audience and makes the play interesting and attention grabbing for them by skilfully using metaphors, comparison, emotional language, rhyme and allusion. Twelfth Night is a timeless piece of literature thanks to the intricate verbal techniques that Shakespeare weaves with a purpose into the play. In Twelfth Night, Shakespeare portrays love as a “hunger” to show that we are pained by it when we cannot satisfy it, drawing similarities between the ache of loving someone to “hunger pains”. He also uses a metaphor to convey his opinion that the need for love is as great as the need for food.
TONIGHT I CAN WRITE Lines 1–4 The theme of distance is introduced in the opening line. When the speaker informs the reader,"Tonight I can write the saddest lines," he suggests that he could not previously. We later learnthat his overwhelming sorrow over a lost lover has prevented him from writing about their relationship and its demise. The speaker's constant juxtaposition of past and present illustrate hisinability to come to terms with his present isolated state. Neruda's language here, as in the rest of the poem, is simple and to the point, suggesting the sincerity of the speaker's emotions.