Close Critical Reflection of Diane Dubois' 'Seeing the Female Body Differently': Gender Issues in the Silence of the Lambs.

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Close Critical Reflection of Diane Dubois' 'Seeing the female body differently': gender issues in The Silence of the Lambs. Dubois (2001) argues that The Silence of the Lambs (1990) although of popular cinema does not follow the typically conventions of patriarchal film, and argues that is it a 'profoundly feminist movie'. (Taubin, 1991, p.129, in Dubois 2001) The approach to patriarchal cinema is based on the theory of voyeurism, male gaze and the 'passive' female (Mulvey, 1975) and also suggests that women pose a threat to patriarchal society. Like Mulvey, who’s theory is centred around Freudian ideas of patriarchy, Dubois also takes a psychoanalytical approach to look at the gender issues in The Silence of the Lambs. The Silence of the Lambs as a film explores the idea of the active female, Dubois discusses this throughout her essay and uses Clarice Starling's position in the FBI, a predominately patriarchal institution, to explore the her character in relation to this. Dubois looks at this in relation to the 'psychiatrist-patient scenario', as Doane states the usual scenario results in the woman’s field of vision becoming reduced as the field of the masculine medical gaze is expanded. (1984, p.77) however Starling gain knowledge from the Doctors expertise. Thus Starling could be described as a femme fatale, as she doesn't get married off or saved after her active role in the film, she a remains an example of female independence and a threat to traditional female gender roles. Dubois explores the idea of Starling being a castration threat towards the male characters. For example discussing the way Starling shoots directly at the audience when facing Gumb, Callenbach (1979) states that the 'gun is a phallic symbol', and is a 'male instrument of power and threat and domination' thus representing Sterling as this threat. Although not directly quoting
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