Cindy Sherman & Tracey Moffatt

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In the contemporary art word, many artists use shock tactics and confrontational images or words to engage and challenge their audience. Artists who practice these techniques include Cindy Sherman and Tracey Moffatt. Sherman does this through the use of hybrid forms and grotesque images. Moffatt does this by displaying startling and shocking scenes in her photographs. This is evident in Sherman’s ‘Sex Pictures’ and Moffatt’s ‘Scared for Life’ series. Cindy Sherman uses photography and mixed media techniques to challenge contemporary attitudes to the female image and identity. Her works are confrontational as they clearly depict recognizable situations examining society and the way men in particular view women. In her series ‘Sex Pictures’ she questions the notion of beauty and deconstructs the idea of gender. She does this by creating hybrid creatures from mutilated dolls; she combines both young and old, and male and female body parts. “Untitled 188” (1992) is unmistakably meant to shock and terrify the audience. The shock and terror come from what the sexual element really stands for – death, power and aggression. In the artwork you can visibly see the mannequin’s sex organs; looking further into the photograph you can see her blank expression filled with helplessness and yearning. ‘Untitled 263’ depicts a hermaphrodite pelvis, mutilated and dislocated. On one side a penis and on the other a vagina. In this image Sherman challenges the link between our genitals and social position. By depicting a body that is both male and female she has blurred the meaning of sexual identity. Art critic Smee has been quoted saying “Sherman has created some of the most consistently startling images in contemporary art”. Through the use of confrontational images Sherman successfully shocks the viewer. Tracey Moffatt an Australian contemporary artist uses photography to convey

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