Chronicle of a Death Foretold

1275 Words6 Pages
The magic realism in Chronicle of a Death Foretold, is part of Gabriel Garcia Marquez way of writing. He spend his first eight years in his maternal grandparents' home, listening to their nonstop stories, superstitions, and folk beliefs, unable to distinguish between the real and the fabulous in the way of history telling. Also, worked as a journalist, reporter, story writer, and film critic. "Gabo" as his closes friends and family know him, acquired a more define stilly in the realism. Chronicle of a Death Foretold, Marquez uses magical realism as a the story tell of the already crime that happen many years ago. Magical Realism is defined as being the combination of realism with fantastic, mythic, magical and supernatural elements. In the narration of Chronicle of a Death Foretold, the narrator uses more the realistic factor, with the combination of natural and sub natural characteristics that the history have. Since this is a true history, something that happen in a real town in Colombia, the narration is mixed with superstition that is a clear characteristic of Latin American countries. Exaggerations, dreams that become true, give the reader the sense of notion of the stile used in this novel. From the beginning of the narration, the storyteller uses dreams as a way to let the audience believe on what might happen. In part of his dream, Santiago is happy, but when he wake up, he has bird shit on him. In Colombia bird shit is a symbol of good luck, but in this case as we know, luck was not part of Santiago's destiny. Santiago's mother was an expert interpreting dreams and auguries around them. With the difference that this time this dream in special did not mean anything to her. At the end of the story, is a part where is described how Santiago was caring out his inside on the way to his house, and the strong smell of shit. I can relate this with the
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