From the time that Raymond is first introduced, the reader sees that he is involved in numerous illegal activities, but is left to wonder why Meursault would agree to be ‘pals’ with him. One comes to realize that Meursault really does not care how others lead their lives. Raymond casually admits that he beats his girlfriend and asks Meursault what he thinks about the situation to which he responds just as casually, “…I didn’t think anything, but that it was interesting”(30). Meursault does not judge those who lead bad lives because he is a stranger to remorse and forethought alike and sees no reason that anyone else should be acquainted with them either. By being a corrupt
E.M Forester describes a flat character as “The really flat character can be expressed in one sentence…” Royal Tenenbaum’s in one sentence is “he is very deceitful.” He begins the story as being a flat character his entire life, but when forced onto the streets, his manipulative nature turns against him; creating the beginning of his transformation. He is shown as a man who has always put himself before all others, including his family. Royal seems unable to grasp the idea that his irresponsible and selfish lifestyle has driven a wedge between him and his family that cannot be undone by a simple apology. The main goal of Royal however, is not to make amends to his family, but to have a roof over his head. The story begins with Royal being kicked out of his hotel room and having nowhere else to go, hatches a plan to gain entry into his old apartment by saying he has cancer.
For the Villain with a smiling cheek says he is strong but he is truly week. His life filled with sin and gloom, constantly planning his next sinister ordeal. With his power he could have amazed and inspired, but yet he chose to cause harm. S men are not looking for anything logical like money. They cannot be bought, bullied, reasoned, or negotiated with.
Even though Darnay flees to France and changes his name to rid himself of his uncle’s cruelty, he still feels “responsible for it, but powerless in it” (Dickens 117). Darnay remains powerless until he receives a letter from Gabelle. Threatened by the revolutionaries, Gabelle asks for aid from Darnay. Despite the fact that “[Darnay] had oppressed no man,” (Dickens 226) Darnay feels that “his justice, honour, and good name” (Dickens 226) became the deciding factor for him to go to Paris. Darnay manages to free Gabelle at the cost of the
Despite Crooks initial hostility to Lennie, he is obviously desperate for company and invites him in, telling Lennie how he fears for his own sanity and that “books ain’t no good” for company. As he tells Lennie, Crooks is so desperate for “just talking, being with another guy” that he tolerates a visitor who has no idea about what he is actually talking about and cannot offer any real sympathy or company. Steinbeck is very explicit about the fact that Crooks is separated from the others solely because he is black (even the similarly crippled Candy gets to share the bunkhouse with the men) and shows the social injustice with Crooks innocent childhood memories of life on his father’s
Crooks is a man, supposedly young but disabled, that likes books and keeps his small room neat, but has been so beaten down by loneliness and prejudicial treatment of that he is now suspicious of any kindness he receives. Racial discrimination is part of the microcosm Steinbeck describes in his story. It reaches its height in the novel when Curley's wife puts Crooks "in his place" by telling him that a word from her will have him lynched. Interestingly, only Lennie, the child-like character, does not see the color of Crooks' skin. Crooks isn’t ashamed about his inheritance but has pride and tells Lennie he doesn’t descend from slaves but from landowners.
Passage Analyzed: Part _2__, Page __39-40__ Begins “It wasn’t nothing…” and ends with “hardly ever a nice fella…” DIDLS Overview: D: denotative and informal language conveying how George is arguing with Slim about Lennie. I: “seems kinda funny why you are traveling with a cukoo like him” shows how Slim doesn’t understand why George is doing this, and goes to show what he thinks of the “cukoo,” Lennie. D: “He ain’t no cukoo” conveys how George feels about Lennie. Yes he is very stupid, but George won’t let anyone say anything rude about his friend like that because even though he is dumb, he can’t help it. L: George uses restatement a lot to try and get his point across to Slim about how great Lennie is even thought he is dumb, because George loves him so much.
Furthermore, all Willy’s flaws are replicated within his sons with no reference to the impact of Linda’s character upon theirs’. Similarly, all conflicts are involving men- seemingly questioning women’s ability to offer an opinion- such as Willy against Biff and Willy versus Charley. A lack of female contribution, aside from Linda, to the play makes it easy for audiences, productions and commentators to overlook, patronise or demean the significance of women in the play. Upon careful analysis, it is evident that the American Dream as presented in Death of a Salesman is male-orientated, but it requires unacknowledged dependence upon women, as well as women’s subjugation and exploitation. To what extent is Arthur Miller condoning or advocating this subservience as morally acceptable and justifiable?
Willy asks howard for raise but he fires him. Willy is worn out and howard knows this. even when Miller presents willy as a great and boisterous man, Happy and Biff are well-built, he just wants to inform the audience that personality or physical appearance never ever leads to achieve success. Rather, Hard working and steady dediction as shown by charly and bernard are the most criterion for success. Again the flute shows here how weary willy is!
He shows no remorse for his actions and is inconsiderate of how Daisy might feel. He is lost because he has no certainty in his life and he lacks the feeling of belonging to a place of group. This is why he does the things that he does, because the only way he can cope with the horrifying idea that he has no real place to call home. To bring joy to his life, he turns to infidelity and alcoholism. Tom is also as rude as too straight up call Myrtle’s little puppy a bitch.