Catcher in the Rye and Six Degrees of Separation

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In the novel The Catcher in the Rye published in 1951 by J.D Salinger and Six Degrees of Separation a film directed in 1993 by Fred Schepisi, we are able to examine the journey of the protagonists through the similarities within the thematic concerns involved in the process of maturation. Also alienation and familial relationships within a conservative society can be seen as an inevitable fact within both texts. The uniqueness of each text is enhanced by the differing contexts, whilst their examination of similar prosperous and conservative societies forces us to see the connection between the texts. The different forms of media allow us to explore on how both the literary and visual techniques of each text are used to present the different contexts in regards to the meaning of each text. Through the comparative study of the two texts we are provided with an insight to the journey undertaken by the two protagonists in their attempt to find their meaning of life. This is reflected in Salinger’s novel The Catcher in the Rye, where a slightly troubled adolescent Holden Caulfield faces the harsh and pressured process of growing up into the adulthood and its effect within the social context of a conservative society in the 1950s and 1990s. Through this adolescent projection of Holden, we are able to focus on the thematic concern of alienation. Salinger incorporates repetition, rhetorical question and a mixture of short and long sentences within his novel to enhance Holden’s sense of disadvantage and corresponding bitterness. This portrayal is evident through the quote “Game, my ass. Some game…but you get on the other side, where there aren’t any hotshots, then what’s a game about? Nothing. No game…”, this conversation with his former teacher Spencer succinctly illuminates Holden’s characters and thus reveals his alienation through his feeling of disconnection with

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