Also, different camera angles and moving camera impart help the film to express and act in a particular way. The brief sequences of shots also lets audiences experience characters’ mind and allow them to realize characters’ felling. Therefore, film form help audiences participate in characters’ thinking process and see the characters development. Moreover, the film form help creating dramatic tension, explicating information and implying some meaning in the shots to make possible that shape audiences’ experiences. To have a brief summary, film form including the colour schemes use in the film, the sounds, the filming angles, the length of shots, the movement of the camera and so on which cooperate together to shape an audience’s experience about particular genre of
Open? Accepting? Tolerant? Anything that makes the character a better person is good here]. This is made clear though the director’s use of [film technique and detail of the technique – eg what we’re seeing or hearing in the shot or sequence].Therefore/Thus/Clearly/evidently [vary those words for each paragraph] a new experience can result in ….
Emma / Clueless comparative essay – film techniques How do the film techniques help in the exploration of the themes in ‘Emma’ and ‘Clueless’? Refer to the films in detail. The directors of the films ‘Emma’ and ‘Clueless’ use a range of film techniques to highlight the themes of the texts. Diarmuid Lawrence and Amy Heckerling explore the themes of marriage and matches, distortion of vision, social and moral responsibility, and the importance of self-knowledge. A detailed analysis of four parallel scenes in ‘Emma’ and ‘Clueless’ show how film techniques are utilized to help convey meaning in a text.
Use tools for visual analysis and “The Method” on the film to generate specific, concrete details. You may focus your argument on two or more scenes (roughly 4-6 minute segments), but remember to use “10 on 1” rather than “1 on 10”. Use those details to make an argument about how the film represents an issue, question or phenomenon. WA’s suggestions for X-Y thesis statements (101-2) may be helpful here. For structuring your argument: With your claim and the essays in mind, choose your representative and complicating evidence from the film carefully.
He really lets you see the beautiful things in something so dark and creepy. Burton’s actions like bullying and judging people for what they look like on the outside and also what they are able to do. He reveals in his film that judging people and bullying can really hurt someone utilizing close ups and lighting to really show expressions on people’s faces when they meet Edward those two cinematic techniques also show what people feel when something happens in Edward Scissorhands. Burton uses close ups in order to express emotions when people are talking. When he uses close ups it really helps convey
The structure of a film has a great impact on the reaction from the viewers. There are two main aspects of a film that make it have the reaction from audiences. One is the director style which contains everything the directors choose to do to make the film flow like a book. There are directors who are known as auteurs. This is when people brainstorm on film ideas of their own and basically does everything from writing the script and picking their own actors to supervising the writing to make sure it is to their standards.
CST1FA Melda Gonen Student No. 17368276 Topic: “How do elements of mise en scene and sound relate to the larger narrative functions of the scene and the film?” There are certain elements that are used to help develop a narrative. Throughout films people often ask questions, as to why certain actors are dressed the way they are, or why certain surroundings look the way they do, a director purposely dresses characters in different ways and sets up scenes in particular surroundings. Directors classify this under mise en scene, which involves everything placed into a scene; another way they set up their narrative is through sound, to instigate emotions and different feelings within an audience. A film that demonstrates the way these elements work to set up a narrative is ‘Rebel without a cause’, by Nicholas Ray.
The key elements of any film marketing campaign includes: posters, the unique selling point of a poster promises a unique film and may appear special to the viewer, most viewers need to be presented with a film that seems different from the others they have seen before, something new and exciting and this helps to real them in to watch the film, and ultimately this aids the profit of the film all because of the poster. Trailers are also a huge part of marketing, and these need to present a number of key elements to a potential audience. The genre of the film has to be apparent and this may be shown through key scenes, dialogue, and iconography or sound elements. The key elements of the narrative also have to be included, but obviously not enough to give away the surprises within the narrative. If the film is star driven then the viewer will expect to see sequences including well known stars.
Obviously, the words that I used for both descriptions have positive and negative connotations accordingly in the context of the whole story. In the positive description I aimed to convey the idea how small details might be interpreted as positive signs when the overall spirit of a person is high. On the contrary, in the negative description, even such minor events like inoperative elevator could throw a person from nervousness to frustration and even despair. The paramount difference between the two descriptions is the focus of attention, which is shifted in the negative perspective to the uncomfortable level, where the narrator feels “desperate”, experiences “butterflies in his/her stomach”, etc. Overall, I have learnt about the rhetorical description strategies, such as connotation, angle of vision, and others.
FINDINGS RHETORICAL ANALYSIS Filmmaking happens every time someone wishes to film something with a camera whether it is a home video for ‘You got framed’ or release big budget blockbuster for Steven Spielberg. Either way filmmaking is all about organising scenery where in which the camera will identify the object as a sequence or a scene. What we see on screen as an audience is controlled by the one holding the camera; this means the audience is viewing the footage from another person’s perspective of the image. This is also the case of editing where the editor can chose to keep or discard footage for the benefit of the audience viewing experience. The edited piece is often used to create certain effects and motions that are impossible to