Cassandra in Agamemnon

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Cassandra adds to the dramatic quality of Agamemnon, and the clear descriptions of her prophesies give us a better depiction of events in the future and past timeline of the tragedy. She allows the reader to learn the gruesome details surrounding the curse of the House of Atreus. By saying “I trust to them, to the babies / wailing, skewered on the sword, / their flesh charred, the father gorging on their parts —” she is depicting the feast of Thyestes who was fooled by his brother, Atreus, into eating his own children (535). She foresees her death, along with Agamemnon’s, and we do not obtain a glimpse into her death afterwards. On the contrary, the details entailing her death are shown by Aeschylus through Cassandra’s prophecy. We can imagine with clarity the horrific slaughter of Agamemnon at Clytemnestra’s hands when she tells the Leader and Chorus: “...a thrash of robes, she traps him — / …. / And now he buckles, look, the bath swirls red —” (536). The problems and unusual scenarios encountered are furthered discussed when we learn about the Thyestes having seduced the wife of his brother, Atreus. Throughout the tragedy, one may develop sympathy for the character of Cassandra. Ultimately, in mist of Clytemnestra seeking justice in the play and Cassandra thus suffering, Aeschylus makes Cassandra a character worthy of compassion from the audience. She is primarily an innocent victim taken as Agamemnon’s prisoner while cursed by Apollo for not bearing him a son as promised. She is fully aware of her impending death and encounters her death at the hands of Clytemnestra courageously. The play would not have the equal dramatic effects, gory details, and overall impact on the audience with the absence of Cassandra’s role, and therefore, she is crucial to the intense

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