Caravaggio - Calling of St Matthew

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Angelo Doulas Caravaggio: Paintings 1. Calling of Saint Matthew . Caravaggio In this painting, Caravaggio uses a lot of shading with the light that enters the room from the right, very typical of the baroque style. The characters reflection of shading is also very evident against the light on their bodily functions. There is a lot of twist within the characters, hips twisted, and faces also either turning to one another and also turning towards the people standing up. It seems that the focal point is the person with his head facing on the table. Through the Baroque period, it's evident that we get through the use of the way the hands are pointing to him. the people standing up are pointing leftward, then the gentleman sitting at the table has his hand also pointed leftwards, but slightly at a lower level then the 2 gentleman standing up, which leads to the gentleman with his head faced against the table. The brush work is very evident and hard (I could see the brush strokes on the canvas). There are different shades of colors blended together. The uses of Dark colors integrated with lighter colors is very present. For instance, the gentleman seated at the table with his hand pointed is much more darker in color specs than the gentleman seated to his left with much brighter, crisp colors. The definition of the bodily features is very relevant to the Baroque era. Their features are almost very realistic. There are both younger and older people seated at the table, some seem to have baffled and exhausted expressions, very typical to common , everyday
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