Bob Dylan: Voice for a Liberated Republic Essay

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Keith Estiler English 120-099 Roslyn Ko 12/4/09 Bob Dylan: Voice for a Liberated Republic Who we are, what happens in our lives, and why we justify our right to be free are concepts represented in the bulking heart of folk music. Folk music during the early twentieth century came out as the spark of a cannonball which has not yet fully erupted. Bob Dylan, with his hoarse-like voice and jingly hair, represented the rebellious era of the early twentieth century. His songs were a mixture of loneliness, defiance, and revolution. By lending him your ears, can you only imagine the portrayal of anti-conformity and racial prejudice his songs unveiled within the radical roots of the union. His primary influence was by old American radical traditions, but, above all, it was the political foment by young people who protested for civil rights and a ban to the bomb movements. These became weapons of inspiration for Dylan in which he pulled the trigger in his songs to engage and educate the underaged. Although many accused Dylan of not having a great voice, it is the power in his lyrics which dominate the stage. Significantly, within his musical career, he developed his own distinctive style and sound which cannot be compared to the music of today. Dylan’s primary objective was not to entertain and bring rise his own fame, but his poetical power in speech and song gave meaning to the beautiful and tragic events of the early twentieth century which shaped our country. The cold Minnesota wind in the town of Hibbing, Duluth was heavily filled with rock and roll as well as rhythm and blues. Robert Allen Zimmerman was his birth name and he had taught himself the basics of the guitar and the harmonica. After attending the University of Minneapolis, he found his true pride in American folk music while having read an autobiography called, Bound for Glory (Dylan Influences). The

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