Blood Imagery In Macbeth

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In modern society, blood usually represents the marking of a horrendous deed; in Macbeth however, Shakespeare associates blood with multiple atmospheres, using the images of blood to convey multiple meanings. Throughout Macbeth, the repeated use of abundant bloody imagery shifts the underlying connotation of blood from gallant to deceitful and guilty of horrendous deeds. The recurrent utilization of bloody weapons to blood stained hands amplifies the multiple meanings of blood itself, showing how the viscous fluid can make one appear valiant and brave, and paradoxically make the same man/woman seem corrupt, guilty and deceptive. From blood emanating weapons to blood stained hands, Shakespeare uses bloody imagery to advance his theme that a…show more content…
As Macbeth first feels the immense guilt of killing his king, he asks himself: “Will all great Neptune’s ocean wash this blood/ Clean from my hand?” And answering his own question he states: “No, this my hand will rather/ The multitudinous seas incarnadine,/ Making the green one red.”(2,2,57-60). The powerful image of Neptune’s vast oceans and multitudinous seas being unable to cleanse Macbeth’s blood stained hands further implies that Macbeth will never be forgiven for his gruesome deed, and that his guilt will plague him till his final day on earth. As he enjoys the spoils of the “King of Scotland”, Macbeth becomes plagued with inevitable guilt and remorse so severely that he becomes blind of the heinous acts of murder that he permits, claiming “It will have blood; they say, blood will have blood.” (3,4,121). Blood having blood serves as a continuous cycle, therefore Macbeth’s killing will become a habit and his guilt of killing shall not impede him from his goals of slaughtering possible deceitful subjects, including his close friend Banquo, of whom he finds justification for killing “with thy bloody and invisible hand/ Cancel and tear to pieces that great bond/ Which keeps me pale!”(3,2,48-50). The “great bond” that Macbeth refers to represents Banquo’s lease on life, and as he terminates that bond, Macbeth supposes his pale and bloodless face with replenish with the blood of his adversary, symbolically driving all other guilt he once felt out of his soul and gone forever

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